분야
hwpby
Alex Proyas
& Lem Dobbs
Revised draft May 9, 1994
INT. OPENING MONTAGE
OVER BLACK a low rumble increases in volume.
FADE UP:
A GLOVED HAND wraps around a bulky scissor-switch, thrusts
DOWN.
SNAP! - Electricity arcs through darkness.
OS SOUND of MACHINERY turning on.
TITLES OVER
MONTAGE OF CLOCKS - VARIOUS. The clocks are frozen, then second
hands turn - TICKING gets louder...
EXT. CITY STREET - NIGHT
The streets are empty - no sign of life. Eerie silence.
A DOORWAY opens in the side of a building, then:
A line of shadowy figures walks out. Men, dressed in black full-
length coats, bald...
The STRANGERS walk silently out into the city.
INT. BATHROOM - NIGHT
SHADOWS DANCE - in and out of darkness. A hooded light-bulb
swings IN SLOW MOTION from the ceiling, its dim light REVEALS:
A GLASS SYRINGE - broken on the floor.
Clothes on a chair...
Puddles of water on the floor...
ANGLE ON SLEEPING EYES - Between waves of light they snap open and
dart about in confusion.
ON JONATHAN WALKER as he sits up. Water splashes. Hes in a tub
of long-cold water. His neck aches like hes been sleeping forever.
TIGHT ON WALKER - hes in his early thirties, dark featured.
HIS P.O.V. - looking around the room. Everythings strange,
unfamiliar.
He stands, steps from the tub.
ANGLE - THE SWINGING LIGHT BULB. Walkers hand ENTERS FRAME,
stops the bulb mid swing.
ON HIS REFLECTION in a cracked wall mirror. He moves to the mirror
and looks at himself. A line of blood runs across his face, from a
point between his eyes. he wipes it away, and notices a tiny pin-
prick wound on his forehead.
WALKERS P.O.V. PUSHES TOWARDS a circular window. The glass is
cracked, covered in grime. His hand wipes it, this only smears the
dirt, but the window is unlatched and swings open with a creak.
Its dark out there.
EXT. BUILDING - NIGHT
WALKER - from outside the window - ANGLE BECOMES A RAPID FLYING
P.O.V. PULLING BACK in silence until the window is a SPECK on the
side of a vast grey tower.
INT. BATHROOM - NIGHT
Walker shivers, cold. He picks up the clothes lying on the chair
and puts them on. Loose trousers with braces, a plain shirt,
leather shoes with HOLES in both soles.
Now he steps to the door, hesitates, hand inches from the doorknob.
He leans down.
TIGHT ON HIS EYE - blinking through the key-hole.
P.O.V. OF AN EMPTY ROOM - A glimpse of motion - the door across
the room (leading to a corridor?) is shutting.
INT. HOTEL - NIGHT
WALKER pushes the door open, steps into the adjoining room. No sign
of life.
Hes unsteady on his feet, doesnt notice a fishbowl on a table near
the door, bumps it.
THE BOWL falls to the floor. Water goes everywhere.
TIGHT ON A SMALL GOLDFISH flapping at his feet. WALKERS HAND
ENTERS FRAME and picks the fish up.
He steps back into the bathroom and throws the fish into the murky
water in the tub.
BACK IN THE OTHER ROOM - SERIES OF ANGLES ON WALKER
He moves cautiously through the room. He turns a light on.
A CLOSET - Walkers hand opens it. A grey coat hangs inside. He
goes through the pockets and finds a WALLET.
TIGHT ON THE WALLET - Theres no I.D. in it, just:
A laundry bill;
Some money;
A business card for something called "Neptunes Kingdom";
And a postcard from "Shell Beach", a sea-side town.
With trembling hands, Walker puts everything back into the wallet
and looks around the room once again.
As he does this, he notices something on the floor.
HIS P.O.V. follows a dark stain on the floorboards, to a womans
bare foot behind the bed. In the shadows there lies a WOMANS BODY,
naked, in a RAPIDLY EXPANDING pool of blood. Her eyes stare
lifeless.
Walker throws his hands over his mouth.
INT. HOTEL CORRIDOR - NIGHT
Walker staggers from the room, grabs a wall for support.
DING!
At the end of the corridor, elevator doors open TO REVEAL: TWO
SHADOWY FIGURES - ONE TALL, ONE VERY SHORT.
Walker instinctively flattens himself against the wall.
The figures step from the elevator - still in shadow - he cant
see them clearly.
Walker makes for the stairs.
INT. LOBBY - NIGHT
Walker rushes past a deserted front desk. A VOICE from the back
room stop him in his tracks:
HOTEL MANAGER O.S.
You gotta message.
Walker looks uncertainly towards a bead curtain.
MANAGER O.S.
(Cont.)
Message! You deaf?
Walker looks to a series of nooks for messages in front of him. In
one he sees a little folded note. Reaching across the desk, he
glances through the beads into the managers office. RADIO SOUNDS
O.S.
HIS P.O.V. - hard to see - the man sits in a chair, lit by the
glow of a T.V. set.
Walker grabs the note, looks at it. It says: JOHN WALKER - PLEASE
CALL - .. Thats all - no number. Walker thrusts the message
in his pocket.
MANAGER O.S.
(Cont.)
When you gonna pay up? Thats three
weeks y-owe me!
Totally confused now, Walker sees something.
WALKER
I...
WALKERS P.O.V. - a painting on a wall (cheap print variety) -
waves on a beach. A breeze rustles the pages of a calender, pinned
beside the picture.
TIGHT ON WALKER - MOVE IN on his ear. O.S. surf crashes
- 오늘 본 자료가 없습니다.
- 프로페셔널의 조건 - 단순한 직업 지침서를 넘어 삶의 방향과 가치관을 제시하는 철학 서적(A+독후감)
- 채식주의자 - 잔혹함 속에서 피어나는 아름다움과 희망, 우리 삶에 깊은 메시지를 전하는 감동적인 소설(A+독후감)
- 오베라는 남자(프레드릭 배크만) - 삶의 의미, 소통의 중요성, 인간관계, 용기, 희망 등에 대한 메시지를 전달하며, 우리 삶에 큰 영감을 주는 책(+A독후감)
- `어떻게 원하는 것을 얻는가 - 협상의 기본 원칙과 실용적인 전략을 제시하며, 성공적인 협상을 위한 필수 가이드 (독후감A+)
- 프레임 - 우리가 세상을 바라보는 방식에 대한 새로운 시각을 제시하는 흥미롭고 유익한 책(최인철, A+독후감)
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