분야
hwpThe Screenplay
Typed (well, scanned actually) by Mike Dunn
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A 21st Century Noir Horror Film.
A graphic investigation into parallel
identity crises.
A world where time is dangerously out
of control.
A terrifying ride down the lost highway.
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David Lynch
21 June 1995
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AS CREDITS ROLL
EXT. TWO-LANE HIGHWAY - NIGHT
We see a clean moving POV illuminated by headlights. Were
floating down an old two-lane highway through a desolate,
desert landscape. This gliding, eerie POV continues as
credits roll. when the credits end, the headlights seem to
dim and soon were moving through BLACKNESS.
FADE OUT:
FADE IN:
INT. THE MADISON HOUSE - BEDROOM - DAY
in the blackness, a man, FRED, is sitting on a bed smoking a
cigarette. we see his back, but with each glow of the
cigarette ash, we see his face reflected in a mirror on the
wall across from him. In the darkness, there starts the
sound of a motor which draws curtains back across a large
picture window just off screen. As the curtain moves, hard-edged
light begins crawling across the room, and we see
everything clearly. Fred is wearing a robe and pajamas, its
early morning.
CLOSE UP ON FREDS FACE IN THE MIRROR - Blank expression -
face somewhat obscured or distorted by smoke from the
cigarette.
CLOSE UP 0N FREDS ACTUAL FACE - Unshaven, haggard look, eyes
seem empty, glazed over. Fred is 32 years old, with dark
hair.
THE DOORBELL RINGS. Fred looks up, startled by the noise.
He looks at the digital clock: 5:30 a.m.
FRED STANDS, goes to an INTERCOM on the wall next to the
mirror. He pushes a button.
A VOICE comes over the intercom.
VOICE OVER
INTERCOM
Dick Laurent is dead.
Fred leaves the bedroom and goes through the house. He is on
the upstairs level. He looks through a narrow slot window,
but cant see the front door below. He goes further in the
house to a picture window that overlooks the street below.
There is NOBODY there.
CUT TO:
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EXT. THE MADISON HOUSE - DAY
We can see Fred standing at the picture window, looking out.
FADE OUT:
FADE IN:
INT. THE MADISON HOUSE - LIVING ROOM - NIGHT
Fred is dressed to go out: Black sport coat and slacks,
buttoned up white shirt. He picks up a music case. A woman
comes into the room. This is Freds wife, RENEE, 30 years
old, dark hair, dressed smartly, a drink in her hand.
RENEE
You dont mind that Im not coming
tonight?
FRED
What are you going to do?
RENEE
I thought Id stay home and read.
Fred looks her over, shes sexy without trying.
FRED
Read?... Read what, Renee?
Renee sits down on a couch and sips her drink. Fred comes
over to her, kisses her on the neck, which makes her laugh.
FRED
Its nice to know I can still make you
laugh.
RENEE
I like to laugh, Fred.
FRED
Thats why I married you.
RENEE
Wake me up when you get home.
Fred brushes her cheek with his fingers, allowing them to
linger for a moment on her face.
CUT TO:
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EXT. CITY STREET - NIGHT
A blue neon sign reads: LUNA LOUNGE.
CUT TO:
INT. LUNA LOUNGE - NIGHT
Fred is on the bandstand. He takes a solo on his saxophone.
Fred plays hot, hard, neo-bop. The BAND wails madly behind
him. The PATRONS explode onto the dance floor, making it a
wild scene. Fred Is a lion now, roaring away on his tenor,
driving everyone nuts.
CUT TO:
INT. LUNA LOUNGE - LATER
After the band quits to take a break, FEMALE FANS come onto
Fred, but he moves away, refusing their attentions.
CUT TO:
INT. LUNA LOUNGE - BACKSTAGE - LATER
Fred dials a pay phone.
CUT TO:
INT. The MADISON HOUSE - NIGHT
We move through the empty living room - empty bedroom, etc.
The ringing telephone goes unanswered.
CUT TO:
INT. LUNA LOUNGE - BACKSTAGE - NIGHT
CLOSE UP 0N FPEDS FACE as he listens to the ringing.
Sweat is still rolling off his face. His eyes are blank.
CUT TO:
EXT. THE MADISON HOUSE - NIGHT
Freds car pulls up in the driveway in front of his house.
Fred gets out, and goes into the house carrying his music
case.
CUT TO:
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INT. THE MADISON HOUSE - NIGHT
Fred puts down his music case, goes to the bedroom, and sees
Renee sleeping soundly.
FADE OUT:
FADE IN:
EXT. THE MADISON HOUSE - DOORSTEPS - DAY
Renee in a bathrobe, opens the front door to collect the
mail. She sees a plain, clean, manila envelope lying on the
step. She picks it up.
CLOSE UP ON THE ENVELOPE - No stamp, no writing, blank. She
takes the mail from the box, and goes back into the house.
CUT TO:
INT. THE MADISON HOUSE - LIVING ROOM - DAY
Renee opens the manila envelope. Shes noticeably nervous
when she sees a videotape inside. She stares at it.
Fred enters, also wearing a bathrobe. He sees Renee staring
at the videotape - before she hears him enter. When she does
hear him, her eyes jerk away from the tape.
FRED
Whats that?
RENEE
A videotape.
FRED
Whos it from?
RENEE
I dont know... Theres no return address
on the envelope... In fact, theres no
address on it.
FRED
Does it say anything on the tape?
RENEE
(looking it over)
No, nothing.
Fred walks over and picks up the tape.
FRED
Well, lets see whats on it.
Fred takes the tape to the V
- 오늘 본 자료가 없습니다.
- 침묵의 봄 줄거리,교훈,비평,독후감
- 프로페셔널의 조건 - 단순한 직업 지침서를 넘어 삶의 방향과 가치관을 제시하는 철학 서적(A+독후감)
- 채식주의자 - 잔혹함 속에서 피어나는 아름다움과 희망, 우리 삶에 깊은 메시지를 전하는 감동적인 소설(A+독후감)
- 오베라는 남자(프레드릭 배크만) - 삶의 의미, 소통의 중요성, 인간관계, 용기, 희망 등에 대한 메시지를 전달하며, 우리 삶에 큰 영감을 주는 책(+A독후감)
- `어떻게 원하는 것을 얻는가 - 협상의 기본 원칙과 실용적인 전략을 제시하며, 성공적인 협상을 위한 필수 가이드 (독후감A+)
해당 정보 및 게시물의 저작권과 기타 법적 책임은 자료 등록자에게 있습니다. 위 정보 및 게시물 내용의 불법적 이용,무단 전재·배포는 금지되어 있습니다. 저작권침해, 명예훼손 등 분쟁요소 발견 시 고객센터에 신고해 주시기 바랍니다.
