영문 FACEOFF 페이스오프 영화 대사

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영문 FACEOFF 페이스오프 영화 대사에 대한 자료입니다.
본문내용
FACE/OFF
Written by
Mike Werb & Michael Colleary
Revised 9/10/96
FADE INTO:
SEPIA-TONE FOOTAGE
of a pig chasing a lion chasing a dinosaur chasing an
elephant. Noahs Ark going round... and round... and
round...
EXT. GRIFFITH PARK CAROUSEL - DAY
Disjointed CALLIOPE MUSIC as the wheel of fate and
fortune goes around until we PULL BACK to reveal:
JON ARCHER (30) rising winged Pegasus. On the adjacent
unicorn is his son MATTHEW (5). Clutching a balloon,
Matty waves at his dad. A happy moment, like so many
certain to follow -- until we realize we are watching
them THROUGH...
SNIPERS RIFLE SCOPE - SNIPERS EYES
wait until the child clears his aim -- Archer is the
target. They round the bend and disappear...
MATTHEW
Loses his grip on the unicorn. Archer reaches over and
pulls him into his lap. They happily ride together...
As the horses sweep back INTO VIEW... exposing Archer...
Now we see the sniper. CASTOR TROY is cool, efficient,
aggressive, sexual. His finger closes around the
trigger.
BOOM! A BULLET RIPS into Archers back. Bleeding... he
drops off his horse... and sinks to the deck of the
carousel. His eyes desperately searching... searching...
searching... until he sees --
Matthew lies on his back -- still. Slowly, Archer
reaches out and takes Matthews hand... and now we see
COLOR for the first time...
Blood red... as bleeding father touches bleeding son...
TILT UP TO the winged Pegasus flying by -- now in full
color and UP UP UP TO Matthews red balloon... floating
away.
HANDELS MESSIAH OVER a SERIES OF SHOTS:
FBI BRIEFING ROOM
Gazing out the window as dawn breaks over the city below
is Jon Archer... older... unshaven... fatigued... his
eyes reveal a man in the grip of obsession.
CAROUSEL HORSE
sweeps by, as if marking time itself...
HOLY PLACE
Smoky, spiritual... dominated by a gleaming, golden
cross. A priest kneels before it -- deep in prayer. The
glimmering cross comes INTO FOCUS... but its just a
light-reflection... off the casing of a large bomb. This
is no chapel... but an atrium. Somewhere.
And as the "priest" rubs out his cigarette we see its
Castor Troy -- carefully installing this complex device.
ANOTHER CAROUSEL HORSE
sweeps by...
ARCHER
pockets his FBI badge, then holsters his gun...
CASTOR
sets the bomb timer -- then replaces a wall panel in
front of it. Totally hidden.
BRIEFING ROOM - CASTORS MUGSHOT
is on a computer screen. His criminal dossier scrolls by
endlessly: bombings, assassinations, mercenary
kidnappings, terrorism-for-hire...
Rookie agent LOOMIS studies the details carefully. Other
agents -- including BUZZ and WANDA scan computer grid-
maps, man phones, etc. amid the take-out cartons and
coffee cups. These people are on high alert.
ARCHER
Any follow-up from L.A.P.D.
Intelligence?
BUZZ
No, sir, nothing yet.
ARCHER
Get them on the phone -- now.
What about S.I.S. and our airport
teams?
WANDA
Weve had everything from psychics
to satellites on this. Even if
Castor was here... he must have
slipped the net by now...
ARCHER
Hes here! And were going to
keep looking until we find him!
A silence descends on the chastised team. As they go
back to work, veteran agent TITO BIONDI takes Archer
aside.
TITO
Jon, these people have been
working round the clock -- you
gotta cut them some slack...
Archer considers his best friends advice -- then...
ARCHER
Ill cut them some slack when I
cut myself some slack.
Archer marches out -- slamming the door behind him.
INT. CORRIDOR - DAY (MORNING)
Castor quietly shuts the security door behind him. An
Hispanic voice startles him.
JANITOR
What are you doing?
CASTOR
(in perfect Spanish)
Thank goodness, I feel like Icarus
in the labyrinth -- wheres the
mens room?
JANITOR
(in Spanish)
This area is off limits, Padre.
(re: security door)
How did you get in that room?
Realizing the JANITOR is already too suspicious, Castor
puts a priestly arm around him -- and leads him down the
hall.
CASTOR
Okay... I have a confession to
make, but you arent gonna like
it. I was planting a bomb.
JANITOR
Bomb?
CASTOR
You know -- boom --
(patting his
neck)
Oh, never mind...
The Janitor suddenly twitches, his eyes rolls up in his
head. As he gasps his last -- Castor heaves him down a
stairwell. Now we see the needle-thin custom stiletto in
Castors hand.
Castor kicks the Janitors mop and bucket down the stairs
-- making everything look like an accident.
INT. SAME BUILDING - MAIN FLOOR - DAY (MORNING)
The childrens church choir -- 200 strong -- sing "Behold
the Lamb of God." Clergy and lay persons listen
reverently.
"Father" Castor strolls by the singers -- casually
heading for the exit. As he passes the risers, a teenage
girl drops her sheet music at his feet.
Returning it -- he whispers in her ear -- so close hes
practically licking it.
CASTOR
Ive never enjoyed The Messiah.
But your voice makes even a hack
like Handel seem like a genius.
He pats her behind and leaves. Although a little shaken,
shes also drawn by Castors sexual magnetism.
EXT. LA CONVENTION CENTER - DAY (MORNING)
The marquee