영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사

 1  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-1
 2  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-2
 3  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-3
 4  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-4
 5  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-5
 6  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-6
 7  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-7
 8  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-8
 9  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-9
 10  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-10
 11  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-11
 12  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-12
 13  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-13
 14  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-14
 15  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-15
 16  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-16
 17  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-17
 18  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-18
 19  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-19
 20  영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사-20
※ 미리보기 이미지는 최대 20페이지까지만 지원합니다.
  • 분야
  • 등록일
  • 페이지/형식
  • 구매가격
  • 적립금
  • 레포트 > 독후감
  • 2015.06.27
  • 100페이지 / hwp
  • 1,000원
  • 30원 (구매자료 3% 적립)
자료 다운로드  네이버 로그인
추천자료
  • [영문이력서] 이력서의 정의와 목적, 영문이력서(영어이력서)의 구성, 영문이력서(영어이력서)의 작성시 유의점, 영문이력서(영어이력서)의 작성법, 영문이력서(영어이력서) 예문 1, 영문이력서(영어이력서) 예문 2
  • 영문 자기소개서 잘 쓰는 방법, 주요 항목별 영문 자기소개서 작성요령 및 예시, 예문, 작성 팁 -영문 자기소개서 작성의 모든 것
  • [영문입사지원서, 영문이력서, 커버레터, 입사지원서, 이력서] 영문입사지원서의 작성, 영문이력서의 작성법, 커버레터의 작성법과 영문이력서 작성 예시 1, 영문이력서 작성 예시 2 및 커버레터 작성 예시 1, 커버레터 작성 예시 2
  • 국내대기업 및 외국계 기업 합격 영문자기소개서 최신예문과 비교분석문.
  • 영문이력서 cover letter,영문자기소개서 영어 자소서 유학용커버레터, 외국기업용 이력서, 한국어교사 영어자기소개서,영문커버레터샘플
  • A+ ★영문이력서(Resume) ★커버레터(Cover Letter)합격한 영문 이력서+영문 자기소개서 BEST예문 및 작성법(취업/레포트)
  • 영문 이력서 잘 쓰는 방법, 종류별 영문 이력서 작성요령 및 예시, 예문, 작성 팁, 주의사항 -영문 이력서 작성의 모든 것
  • [영문이력서와 자기소개서] 영문이력서 및 영문자기소개서 작성
  • ★ 비서직 영문/국문 자기소개서 합격예문 [비서 영문이력서 자기소개서/비서 영어영문 자기소개서 샘플]
  • [영어교육과학업계획서 영어교육과자기소개서합격+면접]영문학과 대학원자기소개서,영어교육학과대학원 학업계획서,영문학과 학업계획서 영어교육과 연구계획서
  • 소개글
    영문 이보다 더 좋을 순 없다 As Good As It Gets 영화 대사에 대한 자료입니다.
    본문내용
    AS GOOD AS IT GETS
    by
    Mard Andrus
    And
    James J. Brooks
    Story by
    Mark Andrus
    --------------------------------------------------------------------------------
    FADE IN:
    INT. APARTMENT BUILDING (NEW YORK), HALLWAY - NIGHT
    ANGLE ON apartment doorway. As it opens and an
    enormously SWEET-FACED, ELDER WOMAN steps out, bungled up
    against the cold -- turning back to call inside to the
    unseen love of her long life.
    SWEET-FACED WOMAN
    Im just going to get some
    flowers, dear. Ill be back in
    twenty minutes. Its tulip season
    today. Im so happy.
    And now she turns and faces the hallway... her sweetness
    dissolves in a flash... replaced by repulsion and that
    quickly she has reversed herself and re-entered her
    apartment... closing the door as we consider her vacated.
    POV - MELVIN UDALL
    in the hallway... Well past 50... unliked, unloved,
    unsettling. A huge pain in the ass to everyone hes ever
    met. Right now all his considerable talent and strength
    is totally focused on seducing a tiny dog into the
    elevator door he holds open.
    MELVIN
    Come here, sweetheart... come on.
    ON DOG
    Sniffing at a particular spot on the hall carpeting.
    Melvin lets the elevator door close and advances on the
    mutt who has ignores him.
    MELVIN
    Wanna go for a ride? Okay,
    sweetie?
    The dog lifts his leg at the precise moment Melvin lunges
    and picks him up with a decisive heft -- so that dog
    urine squirts the hall wall for a second or two. The DOG
    sensing a kindred spirit starts to GROWL and BARK.
    MELVIN
    (a malevolent tone)
    Youve pissed your last floor, you
    dog-eared monkey.
    The dog takes a snap at Melvin, but the man is much
    meaner and quicker than the dog -- he holds his snout
    shut with his hand and reaches for the door of the
    garbage chute.
    MELVIN
    Ill bet you wish you were some
    sort of real dog now, huh? Dont
    worry... this is New York. If you
    can make it here, you can make it
    anywhere, you know? You ugly,
    smelly fuck.
    And with that, he stuffs him in the garbage chute and
    lets go. We hear a FADING SERIES of PLEADING "ANOOOOS"
    from the DOG fade to nothingness... as another apartment
    door opens emitting the loud sounds of a PARTY and SIMON
    NYE, early 30s. Simon has been born and raised with
    Gothic horror and its strange that what that stew of
    trauma has produced is a gifted, decent man.
    INT. APARTMENT BUILDING (NEW YORK), HALLWAY - NIGHT
    Frantic... he bolts into the hall... Melvin is just about
    to enter his apartment.
    SIMON
    Verdell!?!! Here, good doggie...
    He notices Melvin at the far end of the hall.
    SIMON
    Mr. Udall... excuse me. Hey
    there!
    (as Melvin turns)
    Have you seen Verdell?
    MELVIN
    Whats he look like?
    Melvin starts to walk back to his apartment door which is
    directly opposite Simons.
    SIMON
    My dog... you know... I mean my
    little dog with the adorable
    face... Dont you know what my dog
    looks like?
    MELVIN
    I got it. Youre talking about
    your dog. I thought that was the
    name of the colored man Ive been
    seeing in the hall.
    Simon looks O.S. -- and sees his black friend.
    SIMON
    Which color was that?
    MELVIN
    Like thick molasses, with one of
    those wide noses perfect for
    smelling trouble and prison
    food...
    Simon has had it.
    SIMON
    Frank Sachs -- Melvin Udall.
    MELVIN
    (not missing a beat)
    Howre you doing?
    SIMON
    Franks shows my work, Mr. Udall. I
    think you know that.
    FRANK
    (overlapping)
    Simon, youve got to get dressed.
    MELVIN
    (to Simon)
    What I know is that as long as you
    keep your work zipped up around
    me, I dont give a fuck what or
    where you shove your show. Are we
    being neighbors for now?
    SIMON
    (to Frank)
    Do you still think I was
    exaggerating?
    FRANK can only smile.
    FRANK
    Definitely a package you dont
    want to open or touch.
    MELVIN
    Hope you find him. I love that
    dog.
    Simon, terminally non-confrontational, still finds
    himself compelled to turn back toward Melvin.
    SIMON
    (directly)
    You dont love anything, Mr.
    Udall.
    Simon closes his door leaving Melvin alone in the
    hallway.
    MELVIN
    I love throwing your dog down the
    garbage chute.
    INT. MELVINS APARTMENT, BATHROOM - NIGHT
    Melvin locks and unlocks and locks his door, counting to
    five with each lock. He turns the lights quickly on and
    off and on five times and makes a straight-line towards
    his bathroom where he turns on the hot water and opens
    the medicine chest.
    INT. MEDICINE CHEST
    Scores of neatly stacked Neutrogena soaps. He unwraps
    one -- begins to wash -- discards it -- goes through the
    process two more times.
    INT. SIMONS APARTMENT, ENTRANCE HALL - NIGHT
    A group of PARTY GOERS enters -- followed by a HANDYMAN
    holding Verdell who looks and finds:
    SIMON
    who looks up -- lights up -- and tears up as he moves
    quickly toward the group and his dog.
    SIMON
    Thank the good Lord... wow... my
    honey... where have you been?
    PARTY GOER
    (thinking the greetings
    for him)
    He always liked me.
    As Simon goes past him to take the dog from the
    Handyman... JACKIE, Franks junior partner, barking a
    laugh at the Party Goer -- VERDELL BARKING some love. As
    the others greet Simon, Ja