분야
hwp lll give my heart just to one man
The greatest love since time began
Hell come my way and hell be strong
And he will sing me loves sweet song
- What happened Mr. H gen?
- What do you want?
l dont need you now!
Go to hell!
Were invited to a boring banquet.
Sorry, but we have to leave now.
Cant you sit with us, Dora?
No, wer e much too late.
Sorry, good evening.
l wanted to say you wer e
marvelous tonight.
lt was fantastic. Thank God l saw it.
Y ou fraud, you didnt see the show.
Never mind, your e talented.
Me? Talented? Say it louder.
Y es, your e very talented,
Herr H gen.
lm sur e youll soon be able to show
just how talented you ar e.
l must be going, goodbye.
- Bk. Seven marks.
- But Hendrik...
... if you need money
l can lend you fifty marks.
This is mens business.
Bk likes giving money.
Good evening, Miklas.
Thank you.
So...
... Doctor Kr oge lets me starve.
H gen, you old sinner!
Take a seat.
Well, Dir ector,
howd you like the show?
Whats getting you down, Hendrik?
That lm a pr ovincial actor.
ls that all? Nothing else?
Hello.
Y our e late.
One day, lll come to fetch you.
Dont you dr ead that, Heinz?
- Please dont call me Heinz.
- Why not? Thats your name.
l dislike it. Understand?
Perfectly, Heinz.
Y ou cant even drink a beer like
a man who feels like drinking one.
Shall we start?
What was that about beer?
lts not your style,
simply to call for a beer.
A beer, please sounds
phony when you say it.
l dont drink, Juliette.
l know, Heinz. Take your shoes off.
Come on...
One, two...
One, two...
...one, two, thr ee, four...
On one...
Dont fall down now.
Faster!
Faster!
Show me what you can do.
Y ou want to be an actor
and show off for money, too?
Y ou comical pictur e of misery.
lf you liked this music,
you wouldnt get tir ed.
Y ou always laugh at me, Juliette.
l cant cry. Would you
love me if l could cry?
l love you anyway.
Y ou only love yourself, Heinz,
and even then not enough.
Keep talking.
What you say is very nice.
Y our only concern is your face
being devoid of human expr ession.
lts a mask, you hear?
l, too, have skin and bones
and body weight...
...and eyebr ows and fingernails,
just like you.
l, too, feel the cold.
l can be hungry and thirsty.
l, too, think of my mother.
And l know ther e ar e
Philistines and Communists.
But my eyes ar e not my eyes.
My legs ar e not mine,
my face is not mine.
My name is not my name,
because l am an actor!
Do you know what it
means to be an actor?
An actor is a mask...
...among human beings.
Juliette...
Juliette...
Ladies and gentlemen,
l have the honor...
...of welcoming you to the
first r eading of the play.
May l intr oduce our guest,
Nicoletta von Niebuhr...
...who will play the female
lead in this pr oduction.
Do you mind if my friend
watches the r ehearsal?
l have no objection.
- Two cognacs, please.
- Y es, dir ector.
Coming up right away.
Thr ee beers, please.
Ther e you go.
Please ex cuse me.
Please ex cuse me.
Father Hansemann...
Hendrik, will we look
lovely in this play?
We ar e lovely.
May l intr oduce my best friend,
Barbara Bruckner?
Nice to meet you.
What?
Ther es a nice smell of
lavender about you.
Can you smell the lavender, too?
How shocking, on a man.
But l need it like my daily br ead.
A little on the temples is
as good as a nights sleep.
Sleep would be better,
but ther es no time.
A beer and a mineral water.
Well hear what he has to say...
... use the good bits,
then play it our way.
Hes good, but old-fashioned.
The futur e of Hamburg
Art Theater is me.
l mean the two of us.
Most of the plays her e
ar e shallow bourgeois stuff.
But we visualize theater
that will involve everyone...
...the workers, the dockers.
Wher e will you perform this theater?
lt doesnt matter.
ln the docks, factories, cellars.
They asked me about the play.
We pr omised it for last week.
Lets get this opening night over first.
We must pr ove that theater
has a political function.
Befor e it can be political or
r evolutionary, it first has to be good.
Which actors will be in
this sort of theater?
All who think like us. Even workers.
lts what we say, not how we say it.
But lve no qualms if
Hendrik stages our plays.
Go on. Why ar e you looking at me?
Am l not allowed to?
lf it pleases you, go ahead.
Without you, lll be finished, Barbara.
Ther es too much evil in me.
Alone, lm too weak to overcome it,
but you could help me.
l cant talk anymor e. So many
thoughts ar e just parts lve played.
l love you, Barbara.
lm in love. With a woman.
Juliette, am l a good looking man?
lve never seen you on stage.
Maybe your e handsome, but...
...frankly, lve never found
you good looking, but...
...sometimes your cold cheating eyes
ar e those of a sad child.
Y ou do it well.
Who have you fallen for?
- A girl.
- Gr eat.
Y ou falling in love...
One day you may just learn
how to walk, not just dance.
Love the girl, Heinz, and dont
tell me anything about her.
- Do we keep in touch?
- Y es.
Y ou know what? lm coming with you.
l have nothing to lose, Heinz.
Ar e you crazy?
See a ps
- 오늘 본 자료가 없습니다.
- 프로페셔널의 조건 - 단순한 직업 지침서를 넘어 삶의 방향과 가치관을 제시하는 철학 서적(A+독후감)
- 채식주의자 - 잔혹함 속에서 피어나는 아름다움과 희망, 우리 삶에 깊은 메시지를 전하는 감동적인 소설(A+독후감)
- 오베라는 남자(프레드릭 배크만) - 삶의 의미, 소통의 중요성, 인간관계, 용기, 희망 등에 대한 메시지를 전달하며, 우리 삶에 큰 영감을 주는 책(+A독후감)
- `어떻게 원하는 것을 얻는가 - 협상의 기본 원칙과 실용적인 전략을 제시하며, 성공적인 협상을 위한 필수 가이드 (독후감A+)
- 프레임 - 우리가 세상을 바라보는 방식에 대한 새로운 시각을 제시하는 흥미롭고 유익한 책(최인철, A+독후감)
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