최인훈 소설에서 희곡으로의 장르전환 고찰 -<어디서 무엇이 되어 만나랴>를 중심으로-

분야	예체능 > 연극영화
저자	조보라미 ( Bo Ra Mi Zoh )
발행기관	한국연극학회
간행물정보	한국연극학 2006년, 제28권 223~254쪽(총32쪽)
파일형식	0B200413.pdf [다운로드 무료 PDF 뷰어]
판매가격	6,200원
적립금	186원 (구매자료 3% 적립)

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연관 논문

최인훈 희곡「열반의 배-온달2」연구 -

일반논문 : 신화의 현재적 의미 -최인훈, 이청준을 중심으로

『어디서 무엇이 되어 만나랴』의 제목 형성과정과 상호텍스트성 -소설가 최인훈에서 희곡작가 최인훈으로-

인격의 성숙과 성장으로서의 환상 - 최인훈 희곡 「어디서 무엇이 되어 만나랴」를 중심으로

‘한국적인 심성의 근원’을 찾아서 - 최인훈 문학의 도정(道程)

영문초록

This study aims to investigate the transitional process of genre from novel to drama in Choi In-hoon`s writings on the basis of his work of drama Where we meet who will we be. It is worth while to note that this is the first drama he has written in the midst period of his involvement in novel writting. Most important, it was written before he has come to a conscious decision about whether to extend the genre novel over that of drama. Where we meet who will we be constructs various background events by focusing on various mental states of protagonist/ personality, but not a certain plot by focusing on continuous sequence of events. By means of such an construction, the drama depicts the reconstruction of attitude change in Princess Pyeong-gang`s reality perception. On a baffling mystical encounter with Ondal, Princess feels dizzy without losing rational mind. But she finds herself confronted by her cognitive effort to resolve dizziness and meets the mystical significance of karma. We must recognize that the Princess Pyeong-gang`s logocentric attitude has common character with that of protagonists in Choi In-hoon`s novels. Furthermore, her cognitive efforts have also common charater with those of protagonists in novels. The motif of encounter and the theme of karma are also the equally important motive and theme in Choi In Hoon`s novels. However, dizziness in the drama represnets mystical encounter while that in the novels represents politico-social reality. The above analysis shows that Where we meet was written in close relation with the writer`s other novels. Therefore, the present author would conclude that on the basis of the insight that the novels extended over the new genre of drama, a realistic appreciation of Where we meet can be achieved. This is the reason why Where we meet is distinguised from his later works of drama with respect to themes and intention.