1960년대 초 혁명과 역사적 전환기 사회적 실존의 문제 -한국 영화에 재현된 서민의 애환과 세대의 가치를 중심으로-
분야
예체능 > 연극영화
저자
한영현 ( Yeong Hyeon Han )
발행기관
한양대학교 현대영화연구소
간행물정보
현대영화연구 2012년, 제14권 223~254쪽(총32쪽)
파일형식
1j400186.pdf [무료 PDF 뷰어 다운로드]
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    영문초록
    The article tried to interpret the problem of social existence of people who live their lives in early 1960s, from the perspective of ``death``, ``money`` and ``conduct of life`` reproduced in Korean movies, assuming it as historical transition period with two revolutions, although paying attention to joy and sorrow of people. It was tried to confirm that that ``death`` was directly related with social existence that people had to endure through the reproduction of conflicts between modern and pre modern, economic survival, and conflicts and reconciliation between generations through ``death`` in movies. This ``death`` is not interpreted as negative meaning only such as termination or finishing. It becomes actively included in the positivity of life by meaning new restart. Death reflecting joy, sorrow and anxiety of public becomes the ground composing the philosophy of ``money`` and ``conduct of life`` emerging in 1960s. To people living in the currents of 1960s, crisis like ``death`` came but it did not terminate everything but make new philosophy of ``money`` and ``conduct of life`` emerged to overcome it. ``Conduct of life`` is converged to the theory of vocation and makes a theory that we should be faithful to the given job within the fence of family rather than pursue wealth, fame or social recognition. Humble vocation theory based on ethical values such as ``Honesty`` and ``Faithfulness`` can be seen as philosophy of ``Conduct of Life``. In movies it is reproduced that they would acquire ``money`` naturally and as if it were the only.
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