and were both produced during the time of Part Chung-hee`s regime. Both have a journey for their subject matter. However, they take on different perspectives on Developmental Dictatorship enforced by Park Chung-hee`s regime. This paper attempt to identify the aesthetic and historical differences of two films, being a governmental project, by depicting the results achieved by Developmental dictatorship through an elderly couple`s trip take a role of propaganda tool supporting the Developmental Dictatorship. On the contrary, views the same subject critically through the journey in search of a homeland. The old couple`s trip becomes a sightseeing tour as they move around having defined destinations. Three friends of are more wanderers than tourists. They choose to escape a reality searching for a homeland which is rather a humanist ideal than a place. Through comparing two films, we can see different perspectives on Developmental Dictatorship enforced by Park Chung-hee`s regime. In conclusion, while can be viewed as empowering of Development Dictatorship`s Myth, attempts to see the realities behind it.