김춘수 전기시의 수사법과 감각의 변모양상
분야
어문학 > 국문학
저자
서안나 ( An Na Seo )
발행기관
한국문학언어학회(구 경북어문학회)
간행물정보
어문론총 2012년, 제57권 415~436페이지(총22페이지)
파일형식
67900628.pdf [무료 PDF 뷰어 다운로드]
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    Metaphoric discourse Chunsu Kim electricity system and sensory research, Seo, An Na, Divided into electricity during the first half and the second half of the artist in the sense of the more than rhetoric and examined. Chunsu Kim electricity during the first half of the similes and metaphorical discourse system works could be used intensively. This is associated with the immobilization of the sense of the subject`s gaze. The sense of the principal visual field specific target fixed by immersion, and immersion destination jeongyeonghwa relationship with the outside world by blocking voluntarily set the distance you want to form a world of your own sense of attitude is showing. Use a lot of electricity during the first half of the artist ``has not been announced, the initial specimen, "Clouds and Roses", "swamp", etc. Simile If, during the second half of the electric equivalent volume of poems, "flag", "drawings of flowers system, in addition to direct Yuna metaphorical discourse, "and" the death of the girl in Budapest "partly metonymic discourse system is showing. Metaphorical discourse, from electrical work during the first half of the auditory and tactile system is weakened, the "visualization" of hearing, visually enhanced shows the characteristics of the "visualization" that is tactile sensations. Rational reason for existing meetings and questioning the other hand, through the decentered postmodern attitude of sensory signs work during the second half of the electricity in the auditory and tactile being strengthened. Of auditory and tactile reinforcement time in gestation by the exchange of visual and pattern transformation of the senses" "visual" of tactile, visual auditory appears. However, when viewed over the entire Electric City, and the electrical work during the first half of the transformation between the end of the work a sense of exposure, despite the strengthening of the visual sense of the subject reveals the limits to the destination ideation. Figurative images instead of electricity from Chunsu Kim ideation through the post means and post-narrative images that signaled the natural course are not forced to move on to the meaninglessness of the world of meaning in the world was. In other words, the end of the work on the part of metonymic sense of the subject as a discourse system target otherness by becoming transformed in close contact with the target, rather than objectifying shows, but does not reach the target of otherness reveals the limit.
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