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한국현대영어영문학회
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현대영어영문학 2013년, 제57권 제1호, 33~51페이지(총19페이지)
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    Kim, Inpyo. “Dramatization of a Myth: Demythologizing in Deirdre of the Sorrows”. Modern Studies in English Language & Literature 57.1 (2013): 33-51. J. M. Synge wrote six plays in his life, all of which are peasant plays except his last one, Deirdre of the Sorrows. While he was writing Deirdre of the Sorrows, Synge knew that he was dying and his ideas in the play seem to reconcile with his dying situation. Deirdre of the Sorrows is based on a famous story from Irish mythology, “Fate of the Sons of Usnach”, from the Ulster Cycle. The original Deirdre story has some peculiar characteristics: It contains mysterious and supernatural elements; Deirdre, a heroine, can be called a romantic heroine because she has ideal beauty and she is passive and sentimental; Deirdre as a female is dominated by male characters, Conchubor and Naisi; There exists an idea of ``geasa`` (bonds) in the story which is unique in Irish mythology; and the main characters are all ruined by Fate. In his three-act play Synge transforms the elements in the original myth by demythologizing them. The mysterious and supernatural elements have all but disappeared and the idea of ``geasa`` can not be found in the Synge`s work. Deirdre is not a romantic heroine but an active person and possessing a strong will. She is not dominated by male characters. Her behavior is motivated by human interests. Nature is prevalent in the play and Deirdre is harmonized with it. Furthermore, Deirdre is not influenced by Fate and she makes a decision for herself. Thus, in dramatizing the ancient myth and by demythologizing it, Synge showed his originality in Deirdre of the Sorrows. (Kongju National University)
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