|In the Patriarchal society, like the Joseon Dynasty, female have always been regarded as the "second sex" or "the other" who are isolated as the peripheral existence. In the literary sphere, female have never been the centers of aesthetic appreciation but the object of the meditation. However, after the female participation in the literary creation, they have formed their own literary field, and their Chinese poems are - to some extent - different from those of male poets. In this paper, the literary status of women poets and their literary field of Chinese poems are to be examined. Owing to their special status, the women poets studied in this paper - compared with the concubines or Korean Geishas, need to be more moderate, and their literary creations need to be more elegant and contracted. Chinese poems are composed of the embodiment of both a good wife and wise mother and the superego morality, the escape from reality and desire for the Wired World, and the tranquility of boudoir and the dissolute world.