한국영화산업의 역사

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Korean Film History
The Advent of Cinema and
the Early Korean Cinema 1897~1953


| 1. The Exhibition of Moving Pictures and the Advent of Korean Cinema
| 2. The Japanese Colonial Period, Heyday of Silent Films
| 3. The Sound Film and Militarism


Korean Film History
Building Up the Industry and
the Renaissance 1954~1962

| 1. Liberation and the Korean War: 1945~1953
| 2. The Revival of the Film Industry: 1954~1962


Korean Film History
The Korean Cinema Renaissance
and Genre Films: 1963~1971

| 1. The Korean Cinema Renaissance: 1963~1971
| 2. Legacy of Realism in Korean Cinema: 1950~1990s
본문내용
Korean Film in relation with Japanese Rules: Limitations
- The Border(국경, 1923, by Won San-man): First Korean complete feature film
- The Vow Made Below the Moon(월하의 맹세, 1923, by Yoon Back-nam)
- Story of Chun-hyang, Story of Jang-hwa and Hong-ryeon
- Park Seung-pil(Dansungsa Theater): first in-house film production
- Chosun Kinema(1924, Busan), Yoon Baek-nam Production(1925), Na Woon-kyu

Gisaeng: the first star actresses – Lee Wol-hwa
- Lee Wol-hwa: Started from stage plays, stardom from Fight For Justice
- Han Ryong(Han Myung-ok): Story of Chun-hyang, famous gisaeng from Gaesong
- Gisaeng as the first actresses: before, male actors performing female roles
- Fight for Justice(Eurijeok Gutu, 의리적 구투, 1919): stage play + shinpa melodrama
- Active participants in Korean film production for a decade: Chosun Gisaeng Guild


Heyday yet Invisible in Korean Film History
- 1920-mid 1930: Heyday of Korean silent films: Lack of materials from this period
- 140~50 films were produced during the period: about 80 released b/w 1926~37

Crossroad of the Youth (Cheongchun-eui Sipjaro,청춘의 십자로)
1934, dir, Ahn Jong-hwa
Recently restored Korean silent film

Nationalism and Colonialism
- Nationalism: Na Woon-hyu, Arirang(아리랑,1926) – 1st Korean masterpiece
- Triggered productions by young generation: Under heavy censorship by Japan
- Nationalistic film form: character, theme, narrative, style
- Maverick brought heyday in Korean cinema: ended with Na’s death in 1937
- Filmmakers, Actors flew to Shanghai: Jin Yan(김염), Heo Young(Dr.Hu Yung)
Controversial Issues in Korean Silent Films
- Public awareness of drastic social changes
- Shinpa melodrama: female characters abandoning Confucian ideology and values
 crucial impact and long-time influence on Korean films and Television
- Male elites: attraction yet mixed with contempt and fear against national/social situations
- Socialism as ideological basis for the independence movement: impacts on films
- Only 5 socialist films were made: Due to Japanese imperialism and capitalism
- Development of film techniques: cinematography. editing, recording, developing
- Motion Picture and Film Censorship Regulation(1926), Japan attack China in 1930
 Limitation of film production in the period

Byunsa: A True Star of Korean Silent Films
- Originated from old forms: kabuki, bunraku, pansori
- Byunsa as Narrator, interpreter, audience leader (from domestic films to foreign)
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