분야
hwpby George A. Romero
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"WHEN THERE IS NO MORE ROOM IN HELL
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THE DEAD WILL WALK THE EARTH"
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1 We see the face of a young woman. She is asleep. It is very
quiet at first, as credits appear. The womans face begins to
twitch, as though she is having a bad dream. She moans slightly
and her expression grows more desperate.
A mix of subtle sounds begin to fade in. As they get louder, we
can discern what sounds like a busy office area. It is actually
a frantic television studio with the hum of panic in a national
emergency.
The womans moans get louder and more desperate as the
background sounds reach full volume and the credits stop. The
woman sits up, snapping awake.
2 She lurches forwards into the arms of a strong young man. She is
Francine, twenty three years old and very attractive, although
she is gritty with dirt. Her hair is hanging, dishevelled and
sweaty. Her jeans and blouse have been worn for several days.
She is sitting on the floor, where she has slept the last
several hours, covered by an old overcoat.
Tony: YOU OK?
Fran stares at the young man. She is shaking. She doesnt speak.
Tony: THE SHITS REALLY HITTING THE FAN.
The girl tries to clear her head as the young man moves on to
where others sleep on the floor. He wakes them up one at a time.
We begin to hear voices over the busy hum of the studio. They
have an electronic tinniness, as broadcast over a monitor. Fran
looks about. She is still shaken from her dream.
3 We see the television studio. Reporters buzz about madly.
Everybody looks dishevelled and exhausted. Technicians man
monitors, and we see people on the little screens, arguing
emotionally.
4 Voice: WHATS MAKING IT HAPPEN? WHAT THE HELL
DIFFERENCE DOES IT MAKE, WHATS MAKING IT
HAPPEN.
Voice: YES, BUT THATS...
Voice: THATS A WHOLE OTHER STUDY. THEYRE TRYING...
Voice: BUT IF WE KNEW THAT, WE COULD...
Voice: WE DONT KNOW THAT! WE DONT KNOW THAT!
WEVE GOTTA OPERATE ON WHAT WE DO KNOW!
5 The room is pandemonium. People run in with wire copy; others
ORGANIZE the stacks of bulletins as they arrive. Others trip
over cables and generally get in each others way.
6 Francine stares at the madness, still trying to clear her head.
Mans voice: IM STILL DREAMING.
Fran turns her head. Another young man sits next to her on the
floor. He is one of the ones Tony awakened.
Fran: NO YOURE NOT.
Woman: MY TURN WITH THE COAT.
Fran looks up. A young woman is offering her coffee in a paper
cup. She is next in line for the overcoat and a few hours sleep.
Fran takes the coffee and struggles to her feet.
Woman: THE GUYS ON THE CREW ARE GETTING CRAZY.
A BUNCH OF EM FLEW THE COOP ALREADY.
I DONT KNOW HOW MUCH LONGER WELL BE ABLE
TO STAY ON AIR.
7 Fran staggers over to the control consoles. The technicians are
at the end of their ropes.
Technicians: (all at once)
WATCH CAMERA TWO...WHO THE HELLS ON CAMERA
TWO, A BLIND MAN...
WATCH THE FRAME...WATCH THE FRAME...
ROLL THE RESCUE STATIONS AGAIN.
Technicians: WE GOT A REPORT THAT HALF THOSE RESCUE
STATIONS HAVE BEEN KNOCKED OUT.
SO GET ME A NEW LIST.
SURE, ILL PULL IT OUTTA MY ASS.
Fran focuses on the monitors. She is incredulous... stunned by
the madness which surrounds her. She realizes the hopelessness
of the situation as she zeroes in on the televised conversation.
8 We begin to listen over the din of the news room.
TV Man 1: I DONT BELIEVE THAT, DOCTOR, AND I DONT
BELIEVE...ITS FROM ANOTHER SITE...
TV Man 2: DO YOU BELIEVE THE DEAD ARE RETURNING TO
LIFE? THEY ARE TAKING THINGS!
TV Man 1: IM NOT SO...
TV Man 2: DO YOU BELIEVE THE DEAD ARE RETURNING TO
LIFE AND ATTACKING THE LIVING?
TV Man 1: IM NOT SO SURE WHAT TO BELIEVE DOCTOR!
9 Suddenly we cut into the studio, and we see the argument as it
is being shot.
TV Man 1: (cont)
ALL WE GET IS WHAT YOU PEOPLE TELL US.
AND ITS HARD ENOUGH TO BELIEVE...
TV Man 2: ITS FACT... ITS FACT...
TV Man 1: ITS HARD ENOUGH TO BELIEVE WITHOUT YOU
COMING IN HERE AND TELLING US WE HAVE TO
FORGET ALL HUMAN DIGNITY AND...
TV Man 2: HUMAN DIG... YOU CANT...
TV Man 1: ...FORGET ALL HUMAN DIGNITY...
TV Man 2: YOURE NOT RUNNING A TALK SHOW HERE, MR.
BERMAN...YOU CAN FORGET PITCHING AN AUDIENCE
THE MORAL BULL SHIT THEY WANT TO HEAR!
TV Man 1: YOURE TALKING ABOUT ABANDONING EVERY HUMAN
CODE OF BEHAVIOUR, AND THERES A LOT OF US
WHO ARENT READY FOR THAT DOCTOR FOSTER...
10 A great cry of assent goes up from the studio floor. Doctor
Foster is flustered and frustrated. The stage hands and
cameramen are all screaming at him, swearing and ridiculing. We
notice Police guards, armed, at the studio doors. They control
the traffic in and out of the big room.
11 Back at the control panel. Fran stares at the screens. Confusion
still reigns.
Man: FRANNIE, GET ON THE NEW LIST OF RESCUE STATIONS.
CHARLIES RECEIVING ON THE EMERGENCIES...
Fran pulls herself away from the monitors as the argument rages
on screen.
12 She fights through the heavy traffic and reaches Charlie, a
harassed typist who holds the receiver of an emergency radio
unit under his
- 오늘 본 자료가 없습니다.
- 프로페셔널의 조건 - 단순한 직업 지침서를 넘어 삶의 방향과 가치관을 제시하는 철학 서적(A+독후감)
- 채식주의자 - 잔혹함 속에서 피어나는 아름다움과 희망, 우리 삶에 깊은 메시지를 전하는 감동적인 소설(A+독후감)
- 오베라는 남자(프레드릭 배크만) - 삶의 의미, 소통의 중요성, 인간관계, 용기, 희망 등에 대한 메시지를 전달하며, 우리 삶에 큰 영감을 주는 책(+A독후감)
- `어떻게 원하는 것을 얻는가 - 협상의 기본 원칙과 실용적인 전략을 제시하며, 성공적인 협상을 위한 필수 가이드 (독후감A+)
- 프레임 - 우리가 세상을 바라보는 방식에 대한 새로운 시각을 제시하는 흥미롭고 유익한 책(최인철, A+독후감)
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