분야
hwpby
Frank Pierson
"DOG DAY AFTERNOON"
FADE IN:
EXT. ELECTRIC SIGN
It FILLS THE SCREEN (designed to exactly FILL THE FRAME size
of whatever ratio were shooting in). It says:
2:51
This message will be a little cryptic to the movie audience
on an essentially BLACK SCREEN. HOLD for a beat, then it
changes: the lights flash this sign, which should explain it
to everyone:
94뫉
And a slow distant ROLL OF THUNDER in the far distance; now
the SOUND of media begin to come up loud, under:
EXT. FLATBUSH AVENUE - DAY
LONG SHOT down the Avenue, 400 mm lens, heat waves
shimmering, thousands of old people, and people with children
in strollers moving restlessly about in the heat on those
endless miles of benches.
The SHOT is ON SCREEN only for a beat or two, then gone...
SOUND TRACK COMES FROM A THOUSAND TRANSISTOR RADIOS, TV
SETS, AUTO RADIOS, BLENDED IN THE OPEN AIR...
RADIO ANNOUNCER 1 (V.O.)
... the situation continued tense
in the Middle East today, as...
EXT. SHEA STADIUM (TV CLIP) - DAY
An unnamed player swings and hits a high pop up...
ANNOUNCER 2 (V.O.)
... hits a high inside pitch foul
into the upper stands...
ANGLE ON CROWD
as the ball comes down they scramble and fight for it...
A touch of viciousness...
ANNOUNCER 3 (V.O.)
... B-52s meanwhile, unleashed the
heaviest bombing of the war...
EXT. MOVIE HOUSE TO MACDONALDS - DAY
We are SEEING HEIDI, though we dont know it yet - shes
just another pretty 175-pound Italian girl with two kids,
KIMMY, JIMMY, about four and five years old. Right now she
is a lump of browning flesh, shining with oil among rows of
similar ladies (mostly thinner, but all with a certain
unhealthy softness about them) laid out in rows and groups
across the sand. SHOOT LOW AND LONG, so heat shimmers rise,
as though the heat were baking the oil out of this mob,
visible suntan oil pollution... Heidis transistor blasts
ROCK MUSIC into the air.
LYRICS (OVER)
(Roberta Flack)
REVEREND LEE, SHE SAID, LORD KNOWS
I LOVE YOU, REVEREND LEE - DO IT TO
ME
(etc., etc.)
ANNOUNCER 3 (V.O.)
... the American High Command
announced the famed 25th Cavalry
Division would be coming home! The
25th Cavalry, long since afoot,
hardened in battle in the jungles
of World War II...
FAR DISTANT THUNDER ROLLS...
INT/EXT. SONNYS CAR - STREET - DAY
It is parked in a drab Brooklyn street. Beside the car
stands SAL, medium height, also good-looking in an intense
boyish way. His eyes dart about suspiciously, the ever-
watchful Sal.
There is a watchful reserve in Sal that contrasts to Sonnys
outgoing bounciness: first impression is Sonny is all bark;
Sal is the bite. Sal is dressed in impressive blue suit
style, he looks like a kid trying to impress the Godfather.
He even wears a hat. Now, matching Sals preparations
inside the car, he checks his ties alignment, shoots his
cuffs and is ready...
Meanwhile, on their car radio:
ELTON JOHN
(Amoreena)
AND SHE DREAMS OF CRYSTAL STREAMS
OF DAYS GONE BY WHEN WE COULD LEAN
LAUGHING FIT TO BURST UPON EACH
OTHER...
ANOTHER ANGLE BY CAR
As he turns, from the back of the car, JACKIE appears with a
huge florist box, tied with ribbon. Jackie is an eighteen
year old with bad complexion and in contrast to Sonny and
Sal is dressed in teenage sloppiness. Adidas, T-shirt,
bowling jacket, jeans. He is uncertain: waits for directions
from Sonny. Sonny takes the florist box from him.
We see a water truck drive down the street, followed by
Sonnys car, which drives up near bank. It stops, Jackie
gets out, crosses to bank window, peers through, then
ANGLE INSIDE CAR
returns to car. Leans in, has fake conversation with Sonny.
They are waiting. Sonny checks his watch, turns to Sal in
back seat:
SONNY
30 seconds, Sal...
They wait. At appropriate moment, Sal exits car, walks
toward bank. Slowly Sonny gets out.
INT. BANK - DAY
A slightly seedy little branch bank, old yellow brick, blond
varnished wood, a rubber plant, an American flag. Through
the windows we SEE HOWARD, the aged black bank guard, in
uniform, taking down the American flag from outside. Past
him comes Sal carrying an attache case. He passes Howard
coming toward us through the door into the bank. As he
passes CAMERA:
INSERT: BANK CLOCK
as it CLICKS from 2:57 to 2:58 PM.
MOVING SHOT WITH SAL
as he moves toward the left-hand deposit-slips desks.
He picks out a car-loan application slip, then walks toward
the managers desk (as the sign on the desk proclaims) of
PATRICK MULVANEY. Sal sits down, his back to Mulvaney,
facing the front door of the bank. Mulvaney is on the phone.
ON DOOR
as Sonny bustles through in his bouncy dancers walk. He
carries the large florist box. He moves toward the left-
hand deposit-slips desks, takes one out and begins to fill
one out.
ON HOWARD
as he pulls out the keys, attached to the belt of his
uniform. Jackie approaches the door of the bank and stops,
neither in nor out, as though he cant make up his mind.
Howard watches him, waiting patiently, keys in hand, folded
flag under his arm.
CLOSE - SAL
still sit
- 오늘 본 자료가 없습니다.
- 프로페셔널의 조건 - 단순한 직업 지침서를 넘어 삶의 방향과 가치관을 제시하는 철학 서적(A+독후감)
- 채식주의자 - 잔혹함 속에서 피어나는 아름다움과 희망, 우리 삶에 깊은 메시지를 전하는 감동적인 소설(A+독후감)
- 오베라는 남자(프레드릭 배크만) - 삶의 의미, 소통의 중요성, 인간관계, 용기, 희망 등에 대한 메시지를 전달하며, 우리 삶에 큰 영감을 주는 책(+A독후감)
- `어떻게 원하는 것을 얻는가 - 협상의 기본 원칙과 실용적인 전략을 제시하며, 성공적인 협상을 위한 필수 가이드 (독후감A+)
- 프레임 - 우리가 세상을 바라보는 방식에 대한 새로운 시각을 제시하는 흥미롭고 유익한 책(최인철, A+독후감)
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