영문 CHARADE 샤레이드 영화 대사

 1  영문 CHARADE 샤레이드 영화 대사-1
 2  영문 CHARADE 샤레이드 영화 대사-2
 3  영문 CHARADE 샤레이드 영화 대사-3
 4  영문 CHARADE 샤레이드 영화 대사-4
 5  영문 CHARADE 샤레이드 영화 대사-5
 6  영문 CHARADE 샤레이드 영화 대사-6
 7  영문 CHARADE 샤레이드 영화 대사-7
 8  영문 CHARADE 샤레이드 영화 대사-8
 9  영문 CHARADE 샤레이드 영화 대사-9
 10  영문 CHARADE 샤레이드 영화 대사-10
 11  영문 CHARADE 샤레이드 영화 대사-11
 12  영문 CHARADE 샤레이드 영화 대사-12
 13  영문 CHARADE 샤레이드 영화 대사-13
 14  영문 CHARADE 샤레이드 영화 대사-14
 15  영문 CHARADE 샤레이드 영화 대사-15
 16  영문 CHARADE 샤레이드 영화 대사-16
 17  영문 CHARADE 샤레이드 영화 대사-17
 18  영문 CHARADE 샤레이드 영화 대사-18
 19  영문 CHARADE 샤레이드 영화 대사-19
 20  영문 CHARADE 샤레이드 영화 대사-20
※ 미리보기 이미지는 최대 20페이지까지만 지원합니다.
  • 분야
  • 등록일
  • 페이지/형식
  • 구매가격
  • 적립금
  • 레포트 > 독후감
  • 2015.06.27
  • 100페이지 / hwp
  • 1,000원
  • 30원 (구매자료 3% 적립)
자료 다운로드  네이버 로그인
소개글
영문 CHARADE 샤레이드 영화 대사에 대한 자료입니다.
본문내용
CHARADE
FADE IN (BEFORE TITLES)
1. EXT. FRENCH COUNTRYSIDE -- DUSK
Silence -- complete silence for the urbanite, though the
oncoming darkness is punctuated by the sounds of farm
country -- a few birds, a distant rumble of thunder from
some heavy clouds on the horizon, a dogs barking.
CAMERA PANS the green, squared-off flatland, lit only by
a fine sunset in its final throes. Then, gradually,
starting from nothing, a rumble is heard, quickly growing
louder and louder until the sound of a train can be
recognized.
CAMERA PANS quickly, discovering the railroad line atop a
man-made rise of land, and the speeding passenger train is
upon us, flashing by with a roar.
Then, as if from nowhere, the figure of a man hits the
embankment and rolls crazily down to the bottom into the
thick underbrush alongside the tracks.
2. CLOSE SHOT -- BODY
It lies in the bushes, still, unmoving -- dead. CAMERA
PANS AWAY to the quiet peaceful countryside as the sound
of the train fades off until there is silence once more.
TITLE MUSIC begins with a crash.
(MAIN TITLES)
3.)
4.) DELETED
5.)
6. FADE IN
EXT. MEGEVE -- DAY
A handsome and elegant hotel perched on the mountain-side
overlooking the French resort town. A large, open sun
deck -- tables, gaily colored parasols, sun bathers.
One of the latter is REGINA LAMPERT, a lovely young girl.
She is, besides taking in the sun, involved in her favorite
activity -- eating.
Then -- a dark, ominous shape intrudes in the f.g. FOCUS
CHANGES to bring into sharp relief a revolver -- shining,
black and ugly in the sunlight.
REGGIE, unaware of her danger, continues to eat.
The finger tightens around the trigger and finally the
gun shoots -- a stream of water arcs, with unerring aim,
straight into REGGIEs face.
7. ANOTHER ANGLE
Including JEAN-LOUIS, a French boy of six or so. REGGIE
looks at him sternly.
JEAN-LOUIS (in for trouble)
Oh, la.
REGGIE
Dont tell me you didnt know it was loaded.
(calling) Sylvie!
8. WIDER ANGLE
SYLVIE GAUDET, French, attractive, blonde, in her early
thirties, comes from the railing of the sun deck to join
REGGIE and JEAN-LOUIS.
REGGIE
Isnt there something constructive he can
do -- like start an avalanche?
SYLVIE (to JEAN-LOUIS)
Va jouer, mon ange.
JEAN-LOUIS scampers off, content to have gotten off so
lightly. SYLVIE notices REGGIEs lunch which consists of
cold chicken, potato salad, rolls and butter, wine and
coffee.
SYLVIE
When you start to eat like this something
is the matter.
No answer from REGGIE. SYLVIE begins reading a magazine
as REGGIE continues eating.
REGGIE
Sylvie -- Im getting a divorce.
SYLVIE
alors! From Charles?
REGGIE
Hes the only husband Ive got. I tried
to make it work, I really have -- but --
SYLVIE
But what?
REGGIE
I dont know how to explain it. Im just
too miserable.
REGGIE picks up a chicken leg and starts off. SYLVIE
regards the devastated table before following.
SYLVIE
It is infuriating that your unhappiness
does not turn to fat!
8A. INT. SWIMMING POOL -- DAY
A magnificent indoor, glass-enclosed pool, the vista of
snow-covered mountains seen through the ceiling-high
windows beyond. REGGIE and SYLVIE are passing through,
their conversation continuing.
SYLVIE
But why do you want a divorce?
REGGIE
Because I dont love him.
SYLVIE
But that is no reason to get a divorce!
8B. EXT. HOTEL TERRACE -- DAY
An open balcony running around two sides of the pool,
sun-worshippers lying in deck-chairs. REGGIE and SYLVIE
appear, their conversation continuing.
SYLVIE
With a rich husband and this years
clothes you will not find it difficult
to make some new friends.
REGGIE (sitting)
I admit I moved to Paris because I was
tired of American Provincial, but that
doesnt mean Im ready for French Traditional.
I loathe the idea of divorce, Sylvie,
but -- if only Charles had been honest
with me -- thats all I ask of anybody
-- the simple truth. But with him,
everything is secrecy and lies. Hes
hiding something -- something frightening
-- something terrible -- and evil.
She stops as she is aware of a weird figure hovering over
her. She wheels, terrified.
9. CLOSE SHOT -- PERUVIAN SNOW-MASK
A strange, grotesque knitted mask that completely covers
the face except for eyes, nose and mouth. The eyes inside
this particular mask stare down at REGGIE.
MAN
Does this belong to you?
CAMERA PANS down to include JEAN-LOUIS, his hand held
firmly by the man in the mask.
10. WIDER ANGLE
Including REGGIE, MAN, SYLVIE and JEAN-LOUIS. REGGIE is
too terrified to answer. Realizing this, the man, PETER
JOSHUA, takes off the snow-mask to reveal a handsome,
tanned face.
PETER
Oh, forgive me. (indicating JEAN-LOUIS)
Is this yours?
REGGIE (indicating SYLVIE)
Its hers. Whered you find him, robbing
a bank?
PETER
He was throwing snowballs at Baron
Rothschild. (a pause) We dont know
each other, do we?
REGGIE
Why, do you think were going to?
PETER
I dont know -- how would I know?
REGGIE
Im afraid I already know a great many
people. Until one of them die
오늘 본 자료
더보기
  • 오늘 본 자료가 없습니다.
해당 정보 및 게시물의 저작권과 기타 법적 책임은 자료 등록자에게 있습니다. 위 정보 및 게시물 내용의 불법적 이용,무단 전재·배포는 금지되어 있습니다. 저작권침해, 명예훼손 등 분쟁요소 발견 시 고객센터에 신고해 주시기 바랍니다.