영문 Sleepy Hollow 슬리피 할로우 영화 대사

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영문 Sleepy Hollow 슬리피 할로우 영화 대사에 대한 자료입니다.
본문내용
Sleepy Hollow
Being the true storie of one Ichabod Crane
and the Headless Horseman
Kevin Yagher and Andrew Kevin Walker
Based on "The Legend of Sleepy Hollow" by Washington Irving
Screenplay by Andrew Kevin Walker
A pleasing land of drowsy head it was,
of dreams that wave before the half shut eye...
EXT. GNARLED FOREST -- NIGHT
An UGLY MAN charges through on a horse, holding a lantern
forward on a long pole. He looks back, terrified.
INSERT TITLE: 1799 Sleepy Hollow, New York
THUNDEROUS HOOFBEATS are HEARD behind.
The ugly man glances back again. His lantern swings wild...
SHATTERS against a tree. The jammed-up pole SLAMS the ugly
man off his horse...
He hits the ground. He runs, trips, falls and scrambles up.
DEEP IN THE FOREST, we glimpse the source of the HOOFBEATS: a
HUGE FORM on a HUGE BLACK HORSE, already gone.
The ugly man pushes through thorny bushes. Jagged branches
slit his hands and cheeks.
He bursts from the briar patch and tumbles to a trail. He
lifts his bloodied face. He runs.
IN THE FOREST BEHIND: the hooves of the black horse rip
underbrush. HOOFBEATS DEAFENING. A spur digs into the
snorting steeds already bleeding flank.
The pursuers gloved hand draws a SWORD, blade RINGING.
ON THE TRAIL, the ugly man runs on. The shrill WHISTLE of a
SWORD SWING is HEARD as the pursuer blurs past.
The ugly man is still running when his head lolls back, at an
impossible angle... tumbles off his shoulders... His headless
body hits the dirt.
EXT. CITY STREETS -- NIGHT
Empty cobblestone streets. Crooked buildings. A RAPIDLY
CLANGING BELL breaks the silence from afar.
INSERT TITLE: New York City
TWO CONSTABLES clamor round a corner, lanterns held high,
listening. They rush into an alleyway.
ELSEWHERE, piers border the Hudson River. The BELL is
LOUDER. The two constables arrive, searching. No one around.
Constable One hefts his pistol, scared.
CONSTABLE ONE
Where are you?!
MANS VOICE (o.s.)
Here! Over here!
They hurry to the rivers edge. Down a hill, the MAN,
another constable, stands with his back to us. Hes waist
deep in water, tossing away his ALARM BELL.
MAN
I need your help with this.
Constable Two crosses on the peir above. Constable One moves
forward, wary. The MAN grunts, lifting something.
CONSTABLE ONE
Constable Crane? Ichabod Crane...
is that you?
The MAN turns. Meet ICHABOD CRANE, handsome, eyes piercing.
ICHABOD
Yes, it is me. But, not only me...
(lifting, struggling)
I found someone here...
He drags a bloated MALE CORPSE up from the murky water.
ICHABOD
Someone quite dead.
EXT. WATCHHOUSE/JAIL -- NIGHT
The elderly HIGH CONSTABLE lifts a blanket off the corpse on
a wheelbarrow manned by Constable Two. A snobby MAGISTRATE
looks, disgusted. Constable One and Ichabod wait.
HIGH CONSTABLE
Burn it.
CONSTABLE ONE
Yes, sir.
Constable Two wheels the corpse inside. Ichabods dismayed.
ICHABOD
Just a moment... if I may. It is
possible this man was murdered.
HIGH CONSTABLE
He drowned. Anyone could see.
ICHABOD
There are surgical ways of telling
how he died... by the water in his
lungs...
Ichabod follows the High Constable and Magistrate in.
INT. WATCHHOUSE, NIGHT WATCH QUARTERS -- NIGHT
Constable Two wheels the body ahead past many "booking"
tables. A JAILER moves to unlock a massive door.
HIGH CONSTABLE
He will be burned pursuant to
statutes of health.
ICHABOD
I could determine if he were dead
before he went into the Hudson.
HIGH CONSTABLE
Must we again hear these heretical
rantings?
MAGISTRATE
Yes, must we?
ICHABOD
There is nothing heretical about
science, sir. The Chinese have
written on it for hundreds of
years... procedural study used to
solve seemingly unsolvable crimes.
The door is opened. The corpse again leads the way.
INT. WATCHHOUSE, JAIL -- NIGHT
A two-tiered prison, alive with MOANS of AGONY and CRIES of
INSANITY. Cells are full of wretched men in chains and iron
gags. Many are against the bars, watching.
ICHABOD
Our first night watch is adequate
against fire and some violence,
but if we were more often able to
ensure justice, after the fact,
then criminals would truly have
something to fear from law
enforcement.
HIGH CONSTABLE
Have they nothing to fear presently?
ICHABOD
Without disrespect, look around you.
(motioning to cells)
We overflow. As do our courts.
HIGH CONSTABLE
And, with disrespect, Constable,
if jails and courts overflow, it is
testimony to success, not failure.
ICHABOD
But, how many innocents rot here?
And, how many victims are buried
without reprisal while guilty men
roam our streets?
The High Constable reaches a desk, taking a seat. Guards
wait to process beaten, bloody prisoners.
HIGH CONSTABLE
Very few, if any.
ICHABOD
Even though I have seen confessions
pried from the lips of the accused,
often quite literally?
HIGH CONSTABLE
For one who calls himself a
Federalist, your mouth reeks of
Republican liberalism.
ICHABOD
Not Liberalism. Equanimity.
MAGISTRATE
(to High Constable)
Um, sir... might I suggest...
The Magistrate WHISPERS in the High Constables ear. Ichabod
notices with worr