분야
hwp by
Paul Thomas Anderson
1 EXT. HOT TRAXX NIGHTCLUB - NIGHT
CAMERA holds on this PACKED disco on Van Nuys Blvd.
TITLE CARD: "San Fernando Valley, 1977"
A CADILLAC SEVILLE pulls up to the valet area and CAMERA (STEADICAM) moves
across the street, towards the car, landing close;
From the Seville steps, JACK HORNER (50s) and AMBER WAVES (early 30s).
CAMERA follows them (this is one continous shot) as they pass the crowd,
greet a DOORMAN and enter --
INSIDE THE NIGHTCLUB. Twice as packed inside as outside. Music is full
blast. Amber and Jack are greeted by;
MAURICE t.t. RODRIGUEZ (30s). Owner of the nightclub. Puerto Rican. Wearing
a suit and fifteen gold chains.
MAURICE
Jackie-Jack-Jack and Miss Lovely Amber Waves --
AMBER
Hi, Maurice.
JACK
You bad ass little spick. How are you, honey?
MAURICE
Pissed off you aint been around --
JACK
-- I been on vacation.
MAURICE
Dont stay away this long from my
club ever again, Jackie-Jack-Jack.
JACK
I promise.
Maurice takes Ambers hand and gives it a kiss.
MAURICE
You are the foxiest bitch in ten countries.
AMBER
Youre such a charmer.
MAURICE
(to Jack)
I got you all set up at your booth.
I wanna send over some clams on the half shell.
JACK
Beautiful.
MAURICE
Just remember, Jack: Im available
and ready. Cast me and find out --
JACK
Yeah, yeah, yeah.
Amber and Jack head off towards the booth. CAMERA stays with Maurice,
follows him to the bar area, where he shouts some orders to a WAITER.
MAURICE
Clams on the half shell to Jack
and Amber -- over there -- go!
The WAITER takes off to the kitchen, Maurice walks onto the dance floor and
greets three people;
REED ROTHCHILD, 20s, tall and skinny, BECKY BARNETT, 20s, black girl in
silk, BUCK SWOPE, 20s, black guy in cowboy gear.
MAURICE
Hello there, kiddies.
REED/BUCK/BECKY
Hi, hey, hi, Maurice.
MAURICE
Having a good time?
BECKY
Excellent.
MAURICE
Great, great, great.
Maurice moves away to greet some more people. CAMERA stays with Reed, Becky
and Buck, does a 360 around them. Reed and Becky Disco Dance. Buck does
some Cowboy-Type Moves.
Moments later, the WAITER carrying clams on the half shell passes and
CAMERA picks up with him, follows him to Jacks booth, where he presents
them;
WAITER
Compliments of Maurice.
JACK
Thank you.
AMBER
Can I get a Marguerita, please?
JACK
Seven-Up, here --
The WAITER exits, CAMERA PANS with him for a moment, leading to a young
girl wearing rollerskates, ROLLERGIRL (aged 18). She always, always wears
rollerskates. CAMERA PANS with her back to Jacks booth.
ROLLERGIRL
Hi.
JACK
Hello, honey.
AMBER
(to Rollergirl)
Did you call that girl today?
ROLLERGIRL
I forgot.
AMBER
If you dont do it tomorrow, then its
the weekend and youll never be able to
get in to see her --
ROLLERGIRL
OK.
Rollergirl scratches her crotch as she speaks. Amber notices;
AMBER
Whats the matter down there?
ROLLERGIRL
I gotta go pee.
AMBER
Well go, then.
CAMERA stays with Rollergirl, following her across the dance floor. She
passes Buck, Becky and Reed, says hello, dances a moment, then continues on
-- into the clearing off the dance floor, heading for the bathroom. She
passes something, CAMERA moves away towards this something:
A bus boy cleaning a table, EDDIE ADAMS, aged 17. CAMERA moves into a CU --
blending to SLOW MOTION (40fps) for a moment.
(Note: In the text Eddie Adams will be referred to as Dirk Diggler.)
ANGLE, JACKS TABLE.
Jack turns his head, looks across the dance floor and sees this kid
cleaning the table.
ANGLE, DIRK DIGGLER.
He looks up, catches Jack looking back at him, then turns away, disappears
into a back room.
CAMERA DOLLIES in on Jack, who at that moment, is approached by a figure
entering FRAME. Short, buffed out LITTLE BILL (late 40s). This is Jacks
Assistant Director.
LITTLE BILL
Jack.
JACK
Hey, Little Bill.
LITTLE BILL
Whatsa schedule look like?
Are we still on day after tomorrow?
JACK
I wanna do it the day after
the day after tomorrow.
LITTLE BILL
For sure? Cause I wanna call
Rocky, Scotty, Kurt and all those guys --
Jacks attention is with the backroom that Dirk entered. He stands and
heads away.
JACK
Absolutely. But I wanna keep it small.
I wanna keep a small crew on this one --
LITTLE BILL
-- a relaxed deal.
JACK
Exactly.
LITTLE BILL
Do you have a script yet?
JACK
Tomorrow. Tomorrow is the day --
Jack is off across the dance floor.
CUT TO:
2 INT. BACKROOM/KITCHEN - MOMENTS LATER
JACK
Hey.
DIRK
Hey.
JACK
How ya doin?
DIRK
Fine.
JACK
How old are you?
DIRK
I have a work permit, I got the paper --
JACK
No, no, no. Not like that.
How long have you worked here?
DIRK
A month.
JACK
Maurice give you a job here?
DIRK
Yeah.
JACK
How much he pay you?
DIRK
Im not supposed to say how much I make.
JACK
Hes a friend of mine --
DIRK
Well youll have to ask him.
JACK
You live around here, Canoga - Reseda?
DIRK
Um . . . no . . . do you know where Torrance is?
JACK
How do you get here?
DIRK
I take the bus.
JACK
So what do you wanna do?
DIRK
What?
JACK
You take the bus from Torrance to work
in Reseda, why dont you wo
- 오늘 본 자료가 없습니다.
- 프로페셔널의 조건 - 단순한 직업 지침서를 넘어 삶의 방향과 가치관을 제시하는 철학 서적(A+독후감)
- 채식주의자 - 잔혹함 속에서 피어나는 아름다움과 희망, 우리 삶에 깊은 메시지를 전하는 감동적인 소설(A+독후감)
- 오베라는 남자(프레드릭 배크만) - 삶의 의미, 소통의 중요성, 인간관계, 용기, 희망 등에 대한 메시지를 전달하며, 우리 삶에 큰 영감을 주는 책(+A독후감)
- `어떻게 원하는 것을 얻는가 - 협상의 기본 원칙과 실용적인 전략을 제시하며, 성공적인 협상을 위한 필수 가이드 (독후감A+)
- 프레임 - 우리가 세상을 바라보는 방식에 대한 새로운 시각을 제시하는 흥미롭고 유익한 책(최인철, A+독후감)
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