sleep.
5 There little Tom Dacre, who cried when his head
6 That curled like a lambs back, was shaved, so I said,
7 Hush Tom never mind it, for when your head's bare,
8 You know that the soot cannot spoil your while hair.
9 And so he was quiet, & that very night,
10 as Tom was a sleeping he had such a sight,
11 That thousands of sweepers Dick, Joe Ned & Jack
1
sleep, wakes up. Adjusts his steel-framed glasses.
Unballs the tweed jacket hes been using as a pillow. Hes
nearly sitting in the lap of the PILOT, 30s, a tightly wound
military type, as they zoom across the waves.
PILOT
Good sleep?
NORMAN
Not bad. So, where are we?
PILOT
Whered they bring you in from?
NORMAN
San Diego. Left yesterday.
PILOT
So you came Honolulu-Guam-Pago-here?
NORMAN
Yeah.
PILOT
frame.
Yo, I asked for a frame line.
Okay, can we get a frame line, please?
Les, do you have a frame line?
I think so.
Now lock it up. Were going for picture.
That was beautiful, both of you.
Just like that, stay focused.
Keep with it. No big deal.
All right, call it, wanda.
All right, and roll sound.
speed.
Roll camera.
Rolling. Scene six, take two.
Everybody settle.
And action.
Dad hit me first
sleep. As she straggles out of bed and over to her
desk, we notice a young man sleeping next to her.
The ringing continues. She moves her computer mouse
around and her screen comes to life. She click on a
telephone icon and the ringing stops. A beat later,
Sebastian appears in a window on her screen.
LINDA
Sebastian, do you know what time it
is?
SEBASTIAN (SCREEN)
You know Da Vinci never sle
STEPMOM
Ronald Bass
Second Revised Draft
Previous Drafts by:
Gigi Levangie
Elizabeth Chandler
Jessie Nelson &
Steven Rogers
INT. RACHELS BEDROOM - EARLY MORNING
A billowy white screen. An alarm clock BLARES. As MAIN TITLES
BEGIN, the lovely sleeping face of RACHEL KELLY rolls into frame.
Then out of it. Alarm keeps BLASTING. Back she comes, pulling the
sheets OVER her head. Motionless now, as we
[인문사회] 19세기 영.미시
영문 SPHERE 스피어 영화 대사
