confession.
CHRISTY
You did what?
Page 4.
VINCE
For the first time in I dont know how
long. I wanted everything done right.
Open and above board. I told Father
Antonelli I was in love. I told him it
was a special love, for all the ages.
CHRISTY
(starting to fall for
it)
You said that? And what did he say?
Did he say you could leave her? Did he
say wed be happy?
VINCE
(looking deep into her
eyes)
CONTROL ROOM, Henry hits a switch and Catherine is
lowered to the pedestal. Miriam checks Monitors displaying
Catherines vital signs and continuing what must be a
routine, presses numbers on a keypad to open the PRESSURIZED
AIRTIGHT DOOR separating the two areas.
IN THE PROCEDURE ROOM, lights come on and Miriam eases
Catherine out of the apparatus. She checks her pupil
dilation, pulse, throat, a
confess.
Me too. This way.
Oh, do come in.
Yeah, please. Of course.
Thank you.
You lead the way.
Go ahead. Go ahead.
Take a left. All right.
Wriggle.
There we go.
Thank you.
What for?
For... this wonderful gift.
How very generous of me.
No, I-
You-Youre so-
You know what I mean.
I know what you mean.
I feel safe with you.
I can imagine when you were six.
You leading the revolution.
No. No, I was
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
Gattaca
A Screen Play
by Andrew M. Niccol
FADE IN
A white title appears on a black screen.
"As night-fall does not come at once, neither
does oppression...It is in such twilight that
we all must be aware of change in the air
- however slight - lest we become victims of
the darkness."
Justice William O. Douglas
The title fades off, replaced by a second title.
"I not only think that we will tamper