emotionless face of NICHOLAS VAN ORTON, just today 40,
looks upon itself in a mirror. He brings an electric shaver
across his chin, shuts it off, wipes his face with a towel.
INT. VAN ORTON MANSION, MASTER BEDROOM -- MORNING
Nicholas crosses. The bedroom is spacious, devoid of
clutter. A weight-machine in a far corner. A big T.V.
shows CNN with no sound.
At a bedside table, Nicholas picks up a he
emotionless, are boring and extremely difficult in that the expression of such topics, if not sheerly descriptive, is inevitably and completely mathematical and analytical without lively pictures.However, that is not Mr. Sus style. On the contrary, ranked among the most enjoyable and comprehensible lecturers, Mr. Su is characterized by the encyclope dic knowledge, the appreciable and vivid physic
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
HALLOWEEN
a screenplay by John Carpenter and Debra Hill
- - -
1 MAIN TITLE SEQUENCE
OPEN on a black screen. SUPERIMPOSE in dark red letters:
HALLOWEEN
FADE IN TO:
Darkness, with a SMALL SHAPE in the center of the screen. As MAIN
TITLES CONTINUE OVER, CAMERA SLOWLY MOVES IN ON the shape.
We get closer and closer until we see that the shape is a HALLOWEEN
MASK. It is a large, full-head platex rubbe
PEARL HARBOR
by
Randall Wallace
EARLY DRAFT
Out of BLACK we hear the sound of an airplane roaring by.
EXT. POV OF AN AIRPLANE
Flying over American heartland. We see the earth through the
pilots perspective as sky and ground swap positions, the
plane swooping down and storming over the ground.
THE PLANE
is a biplane, racing over a field lush with young plants. It
releases a trail of crop spray, an