films are granted ‘national treatment.’ Now, even within the WTO, laws for cinematograph films has not been agreed upon.
Those opposing the demise of the screen quota system argue that the local film industry is not yet sophisticated enough to global giants such as Hollywood which often has funds from 10 to over 1000 times greater compared to Korean films. Although many Korean films are pro
film-, TV drama- and other media industries, they not only do well economically but also improve the image of South Korean. Therefore, the government suggested aiding them for a good image of Korea through the export of Korean popular culture. Another reason for the current commercial success of Korean media is that it is an outgrowth of Korea’s struggle for cultural continuity when confronted
Maintain the current screen quota system, but the film
industry needs government support for sustainable
development
Hollywood's big capital
can destroy the entire
domestic film industry
Hollywood's big capital
Korean Film in relation with Japanese Rules: Limitations
- The Border(국경, 1923, by Won San-man): First Korean complete feature film
- The Vow Made Below the Moon(월하의 맹세, 1923, by Yoon Back-nam)
- Story of Chun-hyang, Story of Jang-hwa and Hong-ryeon
- Park Seung-pil(Dansungsa Theater): first in-house film production
- Chosun Kinema(1924, Busan), Yoon Baek-nam Production(19
Films.
A windows of Asian Cinema
New Currents
Korean Panorama
Korean Cinema Retrospective
Keep diversities in selection:
With their own 9 specialized criteria.
(excluding the opening and closing ceremony)
Strategy 2. Differentiation In Marketing
Film Related Industries
Private Stadium PIFF
Offices Related to Film Industry
Cl