fish.
Were putting the finishing touches
on the cake.
This looks great. Lisas gonna love it.
Hit me, dude.
Hey, arent you that kid
from Crocodile Tears?
Thats right. Im Sandy Lyle.
Man, I saw that movie in high school.
That bagpipe scene,
that was the funniest shit, man.
We had a good time on that picture.
You want an autograph?
Ah, no, thanks.
Its good to see you, man.
I thought you died,
like,
lamp burning in the
window for you. Here.
I jumped out of that window
a long time ago, Walter.
May I have one of those?
Thank you.
And a match?
Thank you.
- How long is it?
- How long is what?
You know what.
How long is it since
weve seen each other?
Well, lets see.
I spent six weeks in Reno,
then Bermuda. About four months.
Seems like yesterday.
Maybe it was yesterday, Hildy.
Been seeing me in y
I only wore it twice better lower this lamp and try again so that I can get up early.” – James Joyce’s Ulysses (930)
James Joyce에 비해 Virginia Woolf의 서사는 상대적으로 정돈된 느낌을 주므로 일부 학자들은 그녀의 주된 서사기법을 stream of consciousness가 아닌 interior monologue로 정의해야 함을 주장하기도 한다 (Randell Stevenson).
Shawshank Redemption, The
- By Frank Darabont.
1 INT -- CABIN -- NIGHT (1946)
A dark, empty room.
The door bursts open. A MAN and WOMAN enter, drunk and
giggling, horny as hell. No sooner is the door shut than
theyre all over each other, ripping at clothes, pawing at
flesh, mouths locked together.
He gropes for a lamp, tries to turn it on, knocks it over
instead. Hell with it. Hes got mor
fish market backs on the water.
Across the street, ground floor, is the
meth lab --
EXT. FISH MARKET AND STREETS - DAY
The Macarena blares from a boom box. Snappers, artfully
arranged in schools on ice, stare up blankly. Crabs scratch
at their crates. Lobsters climb over one another in tanks.
One of the black SWAT vans turns down a side street. The
other takes an alley. The Marcells Crab House va