smiles
at him, he was right. He shrugs, spreads his hands.
Thats life.
A well groomed middle aged man, who well come to know as
CAVELLO, suddenly bolts from the crowd lined up against
the wall.
Charlie spins around to stop him --
CHARLIE
Whoa -- where do you think youre
going, hotdog.
Cavello butts him with his head, sending Charlie to the
floor. Then, crosses his arms in front of his face and
pl
Fletch Script
Movin in
Makin my connection
Somethings up
I can feel it in the air
Private eyes
Never know whos watchin
Play it cool
But you havent got a prayer
Have you heard the news
Makin all the headlines
Zoomin via satellite
Have you heard the news
Comin through the grapevine
Fletch is
workin overtime
Bit by bit
One way or another
Bit by bit
Running undercover
tonight
Have y
FIGHT CLUB
by
Jim Uhls
based on a novel by
Chuck Palahnuik
2/16/98
SCREEN BLACK
JACK (V.O.)
People were always asking me, did I
know Tyler Durden.
FADE IN:
INT. SOCIAL ROOM - TOP FLOOR OF HIGH RISE -- NIGHT
TYLER has one arm around Jacks shoulder; the other hand
holds a HANDGUN with the barrel lodged in JACKS MOUTH.
Tyler is sitting in Jacks lap.
They are both sweating and disheveled, both around
"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc
George Washington Script
.
[Fly Buzzing]
[Birds Chirping]
[Girl] Did you think we were gonna be together forever?
[Sighs] You know, you act like such a little kid.
Like, youre a little eight-year-old runnin around, bein goofy.
You know, I just cant stand it anymore.
What do you want me to say?
Dont say nothin.
Can I say Im sorry?
Its too late. Just dont say nothin.
Can I kiss you one last time?