DUNE
the motion picture screenplay
Foreword by Matthew Robinson and Kirk Boweat City University, London England
There are a number of things to note about this script:
The formatting is not exactly the same as the script that it was copied from. However, the scenes are all on the same pages that they appear in the script.
The pages are not numbered because the original script contained inconsi
L.A. CONFIDENTIAL
by Brian Helgeland
Based on the novel by James Ellroy
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November 16, 1995
Minor Revisions
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FADE IN:
OVER the opening strains of "I LOVE YOU, CALIFORNIA," a
MONTAGE: a mixture of headlines, newsreel footage and
live action. Economy Booming! Postwar Optimism! L.A.:
City of the Future! But most prominent among them:
GANGLAND! Police photographers document crime scenes.
House on Haunted Hill
By
Dick Beebe
Story by
Dick Beebe & William Malone
Adapted from the screenplay by
Robb White
Blue Revisions: 13 Jan 1999
Production Draft: 2 December 1998
NOTE: THE HARD COPY OF THIS SCRIPTS CONTAINED SCENE NUMBERS.
THEY HAVE BEEN REMOVED FOR THIS SOFT COPY.
FADE IN:
BLACK SCREEN
And in the darkness, a TICKING sound is heard. Soft and
steady -- soothing -- and then a BANG!
S
H A N N I B A L
Screenplay
by
Steven Zaillian
Based on the Novel
by
Thomas Harris
Revision
February 9, 2000
INT. PANEL VAN - DAY
Clarice Starling is dead, laid out in fatigues across a bench
in the back of a ratty, rattling undercover van. Three other
agents sit perched on the opposite bench, staring at her
lifeless body.
BURKE
How can she sleep at a time like this?
BRIGHAM
Shes on a jump-out squ
THE LOST WORLD
JURASSIC PARK
screenplay by
David Koepp
EXT. TROPICAL LAGOON - DAY
A 135-foot-luxury yacht is anchored just offshore in a
tropical lagoon. The beach is a stunning crescent of white
sand at the jungle fringe, utterly deserted.
ISLA SORNA
87 miles southeast of Nublar
Two SHIP HANDS, dressed in white uniforms, have set up a
picnic table with three chairs on the sand and are carefully