M i M i C
a revision
by
Matt Greenberg
and
Guillermo del Toro
June 19th 1996
FADE IN:
THE SCREEN
Stygean darkness.
Wet CLICKING SOUNDS. A BEAM of purplish ULTRA-VIOLET LIGHT
reveals a mosaic of moving forms... COCKROACHES. They skitter
restlessly under the beams intensity. SERIES OF SHOTS -- the
UV Beam passing over various parts of the space. Pipe webs,
walls, girders -- all covered with the ins
WIPES FRAMErevealing --
JAKE SULLYa scarred and scruffy combat vetsitting in a
beat up carbon-fiber wheelchair. At 22his eyes are
hardened by the wisdom and wariness of one who has endured
pain beyond his years.
Jake stares upward at the levels of the city. MAGLEV TRAINS
WHOOSH overhead on elevated tracksagainst a sky of garish
advertizing.
JAKE (V.O.)
They can fix a spinalif you몶ve got the
mon
Oral Sex in the Age of Deconstruction."
-Its full of insight, romantic-- -Theyre here.
Jack will wanna take us for Chinese food again.
I think Sallys tired of our pasta places.
-Hi. -Is it supposed to rain?
Hi.
Let me take your coat.
I opened some white wine. You want some?
Theyre doing something at th.
Jack? You want some cold white wine?
When I go to your place, its murder.
So, Chinese, right?
The World Is Not Enough
GUN BARREL LOGO OPENS ON
GENEVA SWITZERLAND, an unnaturally clean city that melds old
Europe with new money of both dubious and legitimate source.
INT. HALLWAY OFFICE BUILDING - DAY
An engraved brass plaque announcing the name of the 몷private
banking institute몸 within.
INT. PENTHOUSE BANK OFFICE - GENEVA - DAY
JAMES BOND, dressed impeccably as ever, is being FRISKED by