that
more and more voters
are concerned with
personal family safety,
with economic security,
fearing more and more jobs
going overseas
or being taken by
illegal immigrants.
Theyre concerned with the quality
of air and our water,
the degradation caused by the
rollback in environmental regulations,
by religious and racial polarization,
with the drumbeat of body bags
coming from all over the g
Projects?
l dont know whos crazier, you or me.
-l live where l work.
-Yeah, in the slum.
What about you?
l live here.
You were brought up poor?
Aint nobody with money on death row.
You and l have something in common.
-Whats that?
-We both live with the poor.
Aint you gonna ask me what l done?
-The chaplain filled me in.
-Oh, Farley?
Yeah, well, hes a very religious man.
l didnt kill nobody.
-
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
Barely audible, an organ plays a haunting theme. The title credits appear. They are simple green lettering on a black background.
BLACK
TV MONITOR
Point of view from inside a small medicine cabinet. The door is opened creating a low hum, and throwing light on THX 1138, a man about thirty-five years old. He has a closely shaved head: which makes him appear bald. The image is distorted as seen over
circuitry
at the speed of light. We created them to
calculate and research, to help us design
and heal and think. With all that they can
do, are they only electrical impulses...
or are they a new form of life?
The figure is rotated completely around, and as it comes back to face
us, a glowing disk appears beside it; again in response to the
programming printed out at the side of the screen. The d