shafts of LIGHT which flow in
through the windows. The Hooded Man follows the Villager
across the stone floor until he reaches a WOODEN DOOR at the
back.
??
??
2
INT. STONE ROOM - DAY
No windows. The Hooded Man enters. In the center of the room
a CIRCLE has been drawn. Bordering the circle are hundreds of
CANDLES, forming a ring of fire. A MAN stands in the center,
his head bowed -- his weight su
behavior.
Welles bends to the stroller, picks up his infant daughter,
CINDY, and hoists her in the air, overjoyed.
WELLES
Hello, pumpkin-head, did you miss
me? I sure missed you...
He kisses the happy child, holding her in one arm.
WELLES
Lets get my bags and get the hell
out of here.
Welles pulls Amy close and kisses her again, leads the way.
Amy follows, pushing the stroller.
AMY
Hows t
The X-Files "Fight The Future"
??
(The classic fanfare from Alfred Newman plays as the 20th CENTURY FOX
logo is shown all over the the big screen. Fade to black - Silence.
(DW NOTE: Enough time to Take your greatest fear and multiply it by X:)
NOW, Mark Snows thrilling new movie-version of The X-Files theme song
begins to play. Seas of blackoil fill the screen then text in white letters runs in.
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
All around this is an almost totally black screen. Now, as the camera moves slowly towards the window which is almost a postage stamp in the frame, other forms appear; barbed wire, cyclone fencing, and now, looming up against an early morning sky, enormous iron grille work. Camera travels up what is now shown to be a gateway of gigantic proportions and holds on the top of it - a huge initial "K"