focus)
이 영화에서 초점은 대부분 모든 부분을 focus해주는 deep-focus shot보다는 화면의 특정 부위를 focus해주는 shallow-focus shot을 이용하고 있다. 모든 인물을 중시하기보다는 감독이 특정인물, 특정부위만을 focus함으로써 자신이 중시하고 나타내고 싶어 하는 섬세한 촬영을 관객에게 보여준다. 아래 나
shallowfocus)로 일관되며, 그로 인해서 관객은 포커스 맞추어진 인물의 뒷모습과 옆모습, 또는 행동을 유심히 살펴보게 된다. 하지만 그들을 바라보는 한정된 각도와, 영화가 내내 의도하고 있는 모호한 리얼리티로 인해서, 좀 더 구체적인 그들의 표정이나 활동성에 대한 기대를 저버리게 된다. 또한 학
shallow breathing. It gets ominous. Were interlopers on the floor of the forest and something is coming. SUDDENLY:
A MOCCASINED FOOT
rockets through the frame scaring us and ...
EXTREMELY CLOSE: PART OF AN INDIAN FACE
running hard. His head shaved bald except for a scalp-lock. Tattoos. Hes twenty-five. He seems tall and muscled. Heavy, even breathing. Well learn later this man is UNCAS, the las
focus on two: RAFE MCCAWLEY has grown lean and handsome.
And DANNY WALKER is very much the same.
Their planes start swapping positions in the formation; while
the other guys are flying along in a tight line, Rafe and
Danny are playing, one of them gunning his engine to go high,
the other diving and coming back up in his place,
leapfrogging.
It scares the other guys, having their planes flashing i
FOCUS - a bug, a mosquito lodged within an amber tomb. It is folded on its back.
SLOW MOTION as the tip of a fine-pointed drill bores into the amber toward the trapped bug. Orange flecks fly. The mosquito trembles. The drill continues, stopping just before it touches the tiny body.
A SHINY PAIR of thin needle-nose pliers reach in the borehole and extricate the mosquito remains. These are dropped