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생존을 위한 극적인 투쟁
-Dramatic struggle for survival
Theodore Gericault: The Raft of the Medusa, 1819
본래, 27살의 Theodore Gericault는 그의 “난파 장면(Scene of a Shipwreck)"이 명성을 얻기 위해 1819년에 열린 파리살롱에 출품되길 희망했다. 그러나 근래에 들어 이것은 고통받는 인간성의 파토스를 생생하게 증
shipwreck?
Why not the "Lusitania"?
Why not the "Moro Castle"?
Why not the "Atlantic"?
Theyre all good.
Theyre all good,
but why is this one?
Look at the stuff
that comes with this.
Youve got the biggest ship
on its maiden voyage,
the president of the company
onboard that owns it,
the builder onboard.
And it hits an iceberg,
and it sinks so slowly
that youve got all these hours
for drama to be ac
shipwreck, she spotted a handsome young prince named Adrian, who was sailing above. Adrian, too, felt an inexplicable connection as he caught a glimpse of Marina's graceful silhouette.
Driven by fate, a magical storm brought them together. Adrian, thrown overboard, found himself sinking into the unknown depths. To his surprise, Marina appeared, rescuing him from the clutches of the ocean's emb
shipwreck, Newton and the crew were all rescued.
Through this experience, he came to know the existence of a God who hears and answers prayers.
He realized that anyone, no matter how great a sinner, could receive God's grace and meet the gracious God.
This was a significant turning point in his life. He embraced Jesus as his Savior and became a servant of God.
"The Lord has shown me how pitif
shipwreck) 기타 풍파의 이례적 작용(heavy weather)의 결과, 선박 및 적하의 행방불명 등이 있다. 둘째, 인위적인 위험(항해에 부수하여 발생하는 해상위험)이란 항해를 하지 않더라도 발생할 수 있는 위험, 또는 인위적인 요소가 개입된 위험을 말하는데 이에 해당하는 위험으로는 화재, 해적, 표도 및 강도,