SKULL push their way through the Rangers, decked
in bizarre skydiving regalia, topped off by World War II
leather caps and aviator goggles.
모
BULK
The Stealth Eagle is about to
fly.
SKULL
Ditto for the Swooping Swallow.
The Rangers exchange amused looks. Aisha gestures to them
AISHA
Lead on, flyboys.
Bulk and Skull swagger to the door and open it - the ground
is a dizzying distance below. They
morphology)를 다른 임상 집단과 비교함으로써 그 특정성을 이끌어 낼 수 있었다. 난독증 아동이 ADD를 가진 그들의 또래와 다르다는 것은 난독증 아동들이 특히 베르니케 영역에서의 결손을 포함하는 두뇌 형태에 의해 특징지어질 수 있음을 나타낸다. 이는 난독증을 가진 개인의 두뇌 형태와 베르니케 영
Its magnified and deeply revealed. Flecks of green and yellow in a field of milky blue. Icy filaments surround the undulating center.
The eye is brown in a tiny screen. On the metallic surface below, the words VOIGHT-KAMPFF are finely etched. Theres a touch-light panel across the top and on the side of the screen, a dial that registers fluctuations of the iris.
The instrument is no bigger than a
RELIC
a screenplay by Amy Holden Jones
based on the book by Douglas Preston and Lincoln Child
March 16, 1995
TITLE CARD... BELEM BRAZIL - JULY...
EXT. BELEM STREETS - NIGHT
A taxi careens down narrow roadways at breakneck speeds.
INT. TAXI - NIGHT
In the back seat is WHITTLESLEY. Early 40s, the wreck of a once
handsome man. Unshaven. Sweat stained. Rail thin. Scratches on his
arms, a fresh scar
M i M i C
a revision
by
Matt Greenberg
and
Guillermo del Toro
June 19th 1996
FADE IN:
THE SCREEN
Stygean darkness.
Wet CLICKING SOUNDS. A BEAM of purplish ULTRA-VIOLET LIGHT
reveals a mosaic of moving forms... COCKROACHES. They skitter
restlessly under the beams intensity. SERIES OF SHOTS -- the
UV Beam passing over various parts of the space. Pipe webs,
walls, girders -- all covered with the ins