violent collision.
REPORTER 4: The Al Qaeda is thought
to have been behind the bombing.
A team of F.B.I. Agents prepare
to investigate the attack in Saudi Arabia.
FEMALE NARRATOR 3: The latest
terrorist attacks showcase the great division
between the pro-U.S. Monarchy
and the extremist Wahhabi militants
within the kingdom.
(MUSIC PLAYING ON RADIO)
WOMAN: Yeah, come on! Come on!
PLAYER 1: Here we
Violent?
No.
Even though she knew how
to handle a switch or a belt.
Oh, no!
They came from the "spare the rod,
spoil the child" philosophy.
What?
I owe all my creativity to her.
If my childhood was easy,
Id have nothing to write about.
"The daughter of a tap-dancing,
child-abuser of a mother...
...and a distant,
emotionally absent fath..."
Oh, shit! Oh, shit, Connor!
- God, this is a disaster.
-
violently kicks in the door --
The other cops pour in behind him, guns thrust before
them.
BIG COP
Police! Freeze!
The room is almost devoid of furniture. There is a fold-
up table and chair with a phone, a modem, and a Powerbook
computer. The only light in the room is the glow of the
computer.
Sitting there, her hands still on the keyboard, is
TRINITY; a woman in black leather.
BIG COP
Hands beh
flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other.
모모As
HUMAN SECURITY NOW
Commission on Human Security
translated and summarized by
team nine, dept. of political science and international relations, KU
Chapter 1. Human security now
Chapter 2. People caught in violent conflict
Chapter 3. People on the move
Chapter 4. Recovering from violent conflict
Chapter 5. Economic security - the power to choose among opportunities
Chapter 6. Better health for hum