of-war), 외적(enemies), 습격과 포획, 해상탈취 및 나포(taking at seaand seizure), 군주의 강류, 억지 및 억류(arrests, restraints and detainments kings, Princes and people), 포획 면허장 및 보복포획면허장 등이 있다.
넷째, 기타 일체의 동종위험(겔 other perils)은 동종제한의 원칙에 따라 해상고유의 위험, 해상위험 및 전쟁위
of-war), 외적(enemies), 습격과 포획, 해상탈취 및 나포(taking at seaand seizure), 군주의 강류, 억지 및 억류(arrests, restraints and detainments kings, Princes and people), 포획 면허장 및 보복포획면허장 등이 있다.
넷째, 기타 일체의 동종위험(겔 other perils)은 동종제한의 원칙에 따라 해상고유의 위험, 해상위험 및 전쟁위
Riders on horseback cross the desert. From this distance they appear to be a company of Army Cavalry Soldiers.
CLOSER ANGLES ON THE RIDERS
Reveal only details of saddles, hooves and uniforms. The riders are silhouetted against the rising sun as they ride into an ancient CLIFF PUEBLO.
The OFFICER IN COMMAND raises his hand halting his troops.
OFFICER
Dis-mount!
RIDERS climb down from their mounts.
Krypton, is empty for the moment. But the signs of its members are ever-present: around the great floating slab that is their conference table each has his (or her) own console of crystals - a transparent container marked with the identifying insignia, c.f. the symbols on each of their robes in Part I.
As Non and Ursa follow two paces behind. Zod strides along the slab, ignoring console after con
PITCH BLACK
Screenplay
by
David Twohy
Based on material by Ken and Jim Wheat
Revised First Draft
3/3/98
Though mentioned often in the script, the creatures in PITCH BLACK are
seldom seen at length; rather, they are glimpsed, they are heard, they are
felt. They are, really, the embodiment of your nocturnal fears: A howling
coyote that jars you awake; the painting on the wall that comes to life