ARCTIC BLUE
by Ross LaManna
FADE IN:
1 EXT. BOREAL FOREST - ALASKA - (AERIAL SHOT) - DAY
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Flying. Not at the intangible height of a jet, but at
spitting distance from the treetops. Were in central
Alaska, the Big Lonely, just north of the Arctic Circle.
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A thick forest follows the contours of mountain foothills
like a deep-pile carpet. Up at treeline the forest thins to
tundra, a grassy
AERIAL POV - LANDSCAPE - LIVING ORGANISM
Rivers, teeming with microscopic life thread like
spaghetti through a geography of living cells. Invaders.
Territory is overrun. The view is like an aerial recon
photo of an alien land -- at war.
SUPER: CATEGORY - FILOVIRUS
STRAIN - EBOLA ZAIRE (Z)
FATALITY - 88% KILL RATIO
SURVIVORS - 12% IMMUNE ANTIBODY
CURE NONE - NONE
MATCH DISSOLVE TO:
EXT. AERIAL POV
exposure-suit is walking... down
along the dark wall to the grating... TILTING DOWN to see a
glow pulsing under the ice.
3 EXT. BENEATH THE ICE, UNDERWATER - NIGHT
Camera moving toward: A FIGURE in diving gear working at the
metal bars with an oxygen arc cutting torch. One bar has
already been cut out. Two quick cuts and a second bar falls to
the muddy bottom. Lit now only from the floodlights f
감각과 지각
I. 감각
1) 감각과정 개괄
우리는 외부 자극에 어떻게 반응하는 것일까? 먼저 외부 자극은 우리의 특정 감각기관의 수용기 세포(receptor cell)를 자극한다. 더 정확하게 이야기하자면, 특정 형태의 에너지가 수용기 세포를 자극한다. 예컨대, 시각은 빛의 파장 에너지에, 그리고 청각은 공
Its magnified and deeply revealed. Flecks of green and yellow in a field of milky blue. Icy filaments surround the undulating center.
The eye is brown in a tiny screen. On the metallic surface below, the words VOIGHT-KAMPFF are finely etched. Theres a touch-light panel across the top and on the side of the screen, a dial that registers fluctuations of the iris.
The instrument is no bigger than a