Its magnified and deeply revealed. Flecks of green and yellow in a field of milky blue. Icy filaments surround the undulating center.
The eye is brown in a tiny screen. On the metallic surface below, the words VOIGHT-KAMPFF are finely etched. Theres a touch-light panel across the top and on the side of the screen, a dial that registers fluctuations of the iris.
The instrument is no bigger than a
TRON
Based on the screenplay by
Steven Lisberger and Bonnie MacBird
??
Fourth Draft Screenplay by
Charlie Haas
April 6, 1981
??
BLACKNESS
1 THE ELECTRONIC WORLD 1
On one side of the screen, computer programming language is being
printed, and we HEAR the sound of an electronic keyboard. In the
center of the screen, glowing lines inscribe a rough computer
simulation of a figure, in response to the
GONE IN 60 SECONDS
by Scott Rosenberg
4/6/99
"I wonder," Toad said to himself presently, "I wonder
if this sort of car starts easily?"
Next moment, hardly knowing how it came about, he
found that he had hold of the handle and was turning
it. As the familiar sound broke forth, the old
passion seized on Toad and completely mastered him,
body and soul ... He increased his pace, and as the
car devour
Slow motion. Armed troops in black uniforms pour out of unmarked vans and swarm across a lawn in a middle class residential neighborhood. Yuppie neighbours look on in shock, confused. Two of the troops carry a battering ram to the front door of a white two-storey house. A leashed Rottweiler snarls and barks. In position, their comrades point M-16s into first-floor windows, ready to be ambushed. P