Grand Rapids: Baker, 1977), 76-78; Stephen H. Smith, “A Divine Tragedy: Some Observations on the Dramatic Structure of Marks Gospel,” Novum Testamentum 37(1995), 215-16; E. W. Burch, “Tragic Action in the Second Gospel: A Study in the Naative of Mark,” JR 11(1931), 350,352; B. Standaert, LEvangile selon Marc: Composition et genre litteraire (Zevenkerken-Brugge, 1978), 93-94.
그들의 공
Grand Prize for Best Film)
Sarasota Film Festival (Won: Audience Award for Best in World Cinema)
Fantasia Festival (Won: Best Asian Film)
Philadelphia Film Festival (Won: Jury Award for Best Feature Film)
Berlin International Film Festival, Germany (Won: Alfred Bauer Award)
Montral Festival of New Cinema (Won: Z Tele Grand Prize Feature Film Award)
Fantasporto, Portugal (Won: International Fantas
L’histoire
Le film se situe au 17ème siècle au moment où l'islam et le christianisme pénètrent l'Afrique de l'Ouest. Pour les deux religions, tous les moyens sont bons pour remplir la mosquée ou l'église : armes à feu, alcool et pacotille de toute sorte. L'imam, après avoir converti la famille royale et les grands dignitaires,
experiences. It is intended to provide a respite from real life in venues such as theme parks, casinos, and virtual reality games.
In esthetic entertainment, audiences immerse themselves in a cultural experience with a visual component of the moment, such as standing at the rim of the Grand Canyon, visiting an art gallery or museum, or sitting in a Parisian café observing passers-by.
칼더 (Alexa-nder Calder)의 라 그랑데 비떼스 (La Grande Vitesse)는 NEA의 ‘공공장소 속의 미술’프로그램의 첫 번째 후원 작이다. 작품 예)1.
NEA의도 : 60년대 말에서 70년대 초 ‘우리 시대 최고의 미술을 벽이 없는 미술관인 도시 내부에 전시하여 대중들이 가까이 다가가게끔 하겠다.’는 NEA의 지침이다.