paintings, particularly from the eighteenth century, are esteemed for their candid, realistic representations of the Joseon dynasty (1392–1910) and are considered by many as among the most "Korean" of all Korean art forms. Genre paintings existed in Korea prior to the eighteenth century; these works, however, were generally idealised images of yangban (literati; ruling elite) life. In the e
Literati and the Local in Song-Yuan-Ming China, says, “The landscape as a whole was at the same time a manifestation of the greater powers that shaped both the landscape itself and the lives of the local population.” The subject matters used for the image effectively let viewers feel the strength of the nature. The mountains in the background are huge, tall and straight taking up half of the
1. 오비디우스의 필레몬과 바우키스 오비디우스, 천병희 역, 원전으로 읽는 변신이야기, 숲, 2005, pp. 398-404.
하신은 여기서 입을 다물었다. 이 놀라운 기적은 모두를
감동시켰다. 하나 익시온의 아들은 신들을 경멸하며
물불을 가리지 않는 무모한 자인지라 그들을 귀가 얇다고 비웃었다.
“아켈로우스여,