SOFTBALL GAME
SUNDAY. WANT TO PLAY?
I DONT KNOW.
YOU O.K.? HEY.
WHATS THE STORY?
COME HERE.
HOW WAS THE TRIP?
NOT BAD.
THE QUALITY OF OUR
LOCAL CRIME HASNT
IMPROVED ANY.
I HEAR THAT.
WAS SHE RAPED,
MOLESTED, OR WHAT?
HAD HER CLOTHES ON.
DOC, ANY ACTION?
.
NOT LIKELY
WHERES THAT JOGGER?
IS HE THE GUY
I WANT TO TALK TO?
OVER THERE.
HI. MALCOLM ANDERSON,
JOURNAL.
HOW ARE YOU?
YOU RUN BY HERE
EVERY D
TRON
Based on the screenplay by
Steven Lisberger and Bonnie MacBird
??
Fourth Draft Screenplay by
Charlie Haas
April 6, 1981
??
BLACKNESS
1 THE ELECTRONIC WORLD 1
On one side of the screen, computer programming language is being
printed, and we HEAR the sound of an electronic keyboard. In the
center of the screen, glowing lines inscribe a rough computer
simulation of a figure, in response to the
keyboard
with renewed vigor.
Another molecule appears on the screen. Sebastian s
fingers fly across the keyboard. The molecule blinks on
and off, it trembles and twists apart.
SEBASTIAN
Damnit.
Sebastian pears out his window. Across the courtyard, a
light comes on in a neighboring window. He sees a
BRUNETTE, mid-twenties, absolutely stunning, enter her
living room. The Brunette thumbs throu
keyboards. DR. MIRIAM KENT stands
before a peculiar diagnostic machine scrutinizing data and
images. Both wear garb favored by surgeons or microchip
assemblers. The impressive, weird computer system HUMS as it
shifts programs, the unusual brain image changing colors.
THROUGH A LARGE WINDOW, we see into an ADJOINING ROOM within
which a HUMAN FIGURE hangs suspended in mid-air by a series
of cables
Kiss Me Kate Script
Would you get the door, Paul?
- Hi, Paul. - Mr. Cole Porter, sir.
- Thanks for coming. - Hello, Fred.
Youre right on time. Everythings set.
Keyboards dusted, and the pianos tuned.
That is a matter of opinion. By the way, what was wrong with my place?
- You want Lilli to do the part, dont you? - Very much.
Then psychologically, this is the proper setting.
- Here? Where you live