Bend It Like Beckham Script
David Beckham
gets the ball again for Manchester United.
Hes taking responsibility
every time they have possession.
This reflects the way
hes been captaining England.
Hes dominating proceedings,
hoping perhaps to get a bit more support
as he gathers the ball on this
right-hand touchline time after time.
And the Old Trafford crowd warming
to the way Beckham is taking ov
The very loud sound of people having sex. The sounds of deep moaning and sexual huffs and puffs. After a few seconds the sound grows even louder. It should sound as if the two people are fucking into a microphone. The sounds should be painful and raw.
GIRL (O.S.)
Oh yes, oh yes, oh yes, oh yes.
INT. BEDROOM - DAY
The face of a very pretty young girl with long blond hair. Her face is inches from t
. to a large factory building, park and go up a flight of metal stairs on the side of the building. Jeffrey steps into the shadows and watches them. At a metal landing they stop. He sees them standing on their tip toes in order to see something in the distance. The man with the alligator briefcase is laughing with the Yellow Man at what he sees. He grips the Yellow Man on the shoulder. Jeffrey ca
Tiled roofs, the stark white stucco of a colonial town square. Black iron bars at a bank. A briefcase carried in a mans hand. A snipers rifle being assembled. Thick blocks of hundred dollar bills. Placed in the briefcase. A mans teeth as he smiles grimly at the sight.
Sounds over a SUBJECTIVE VIEW. The BRIEFCASE SNAPS SHUT. A VAULT DOOR SLAMS. RUBBER SOLES WALK a tiled floor. Ahead, brilliant, w
The Old Man And The Sea Script
He was an old man who fished alone
in a skiff in the Gulf Stream...
... and he had gone 84 days now
without taking a fish.
In the first 40 days,
a boy had been with him.
But after 40 days without a fish
the boys parents told him...
... that the old man was now definitely
and finally salao...
... which is the worst form of unlucky...
... and the boy had gone at their
Just My Luck Script
- Morning, Oscar.
- Morning, Miss Albright.
Finding a cab may take a while
in this mess. No umbrella?
Really think I need one?
Guess not.
- [Horn Honks]
- Thanks. Have a good one.
Oh.
Nice. Bye.
First stop,
66th and Broadway.
I need to be there
in four minutes, please.
[Laughs] Oh, yeah.
Thats gonna happen.
Hi. Dana?
[Man On Phone] WNYH. Youre caller seven.
Can you name our my
Night And The City Script
Night and the city.
The night is tonight,
tomorrow night...
or any night.
The city is London.
Mary?
Mary?
You wont find
any money there, Harry.
What do you mean,
spying on me?
I, uh - I was just
looking for a cigarette.
Mmm.
Would I steal
from you?
- What makes you think I -
- Who are you running away from now?
Running? Me?
Now, you know me better than that.
- Three days
PITCH BLACK
Screenplay
by
David Twohy
Based on material by Ken and Jim Wheat
Revised First Draft
3/3/98
Though mentioned often in the script, the creatures in PITCH BLACK are
seldom seen at length; rather, they are glimpsed, they are heard, they are
felt. They are, really, the embodiment of your nocturnal fears: A howling
coyote that jars you awake; the painting on the wall that comes to life
"TREASURE HUNTER"
FADE IN:
EXT. CARIBBEAN ISLAND -- DAY
A secluded island surrounded by bright blue-green water.
Sand untouched by footprints, this place has been forgotten.
A mountain with the vague image of a skull on its craggy
face grows out of the jungle.
A seaplane zooms overhead, pontoons skimming the water until
they slide onto wet sand.
EXT. BEACH -- DAY
Two sets of BOOTS mar the smooth
The Hollow Man
written by Andrew W. Marlowe
Red Wagon
Prods.
Revised Draft
6/26/98
FADE IN:
On complete darkness.
A SMALL DOOR swings open.
A circle of light reveals that we I re looking down the
length of a tube. At the far end of the tube, we see a
gloved hand dangling a rat. The hand shoves the
frightened rat into the tube and closes the door behind
it. The rat s stark white fur bristle