ALADDIN
PEDDLER: Oh I come from a land
From a faraway place
Where the caravan camels roam
Where they cut off your ear /Where its flat and immense
If they dont like your face /And the heat is intense
Its barbaric, but hey--its home!
When the winds at your back
And the suns from the west
And the sand in the glass is right
Come on down,
Stop on by
Hop a carpet and fly
To another Arabian night!
Arabi
THE MESSENGER: THE STORY OF JOAN OF ARC
by
Andrew Birkin
and
Luc Besson
??
FADE IN:
EXT. CHURCH - DOMREMY - DAY
FADE UP on ripples on the surface of a puddle. Slow PAN
UP: the water becomes placid, and in it we see the
reflection of an inverted CROSS on the top of a small
church. We move across the little churchyard and in
through the open doors.
??
INT. CHURCH - DOMREMY - DAY
Utter simplicity --
A top-secret, experimental, offensive/defensive military installation hidden away in the countryside outside Philadelphia, Pennsylvania.
CLOSE on a beautiful, intricate, state of the art computer panel as it is lifted out of a large console. A huge, dimly lit display board, sporting a galaxy of small running lights, looms above.
The panels removal creates a large, vulnerable opening, inside of wh
PEARL HARBOR
by
Randall Wallace
EARLY DRAFT
Out of BLACK we hear the sound of an airplane roaring by.
EXT. POV OF AN AIRPLANE
Flying over American heartland. We see the earth through the
pilots perspective as sky and ground swap positions, the
plane swooping down and storming over the ground.
THE PLANE
is a biplane, racing over a field lush with young plants. It
releases a trail of crop spray, an
speechlessly stare at him.
EDWARD
The meeting is over, gentlemen.
He turns away. The bankers look at one another. They rise.
Silence as they exit. When the door closes. Stuckey explodes
with laughter.
STUCKEY
Hah! Did you see the look on
their faces?
VANCE
You dont think we pushed too
hard?
STUCKEY
NO way! Theyll come back. They
cant afford not to. Edward,
that bluff was beautiful.
EDWARD
Maybe
An old Chinese man, GRANDFATHER, going through a beautiful Tai Zhi Quan form. It is very peaceful and graceful. The form ends with a palm strike towards camera, blacking out the frame. (for possible INTERCUT use)
INT. SUPERFIGHT ARENA - NIGHT
Spotlights cut through the murky darkness while rock music PULSES. The sound of the crowd, barely visible in the darkness, is a RUMBLE in the dark, not unli
The Age of Innocence
[At the Theatre in the evening. Newland Archer enters the box. Steps to the front,
joining the company of several men, including Larry Lefferts and Sillerton Jackson. Larry
looks at stage through pearl opera glasses. Then he swings his opera glasses away from
the stage and toward another box. He sees the figure of a woman entering a box across the
way. Although the woman, sil
"BATMAN RETURNS"
1 INT. A STUFFY MANSION--A NIGHT ABOUT FORTY YEARS AGO 1
The viewer floats through an overbearing mansion and
up its sweeping staircase to where a stern man in
conservative dress is pacing back and forth, smoking a
cigarette in a cigarette holder. He is the FATHER. The
throes-of-labor pants and moans of the MOTHER can be
heard from down the hall.
Now, eerie Gaas and Goos chill th
12 and holding
by
Anthony S. Cipriano
FADE IN:
EXT. NEIGHBORHOOD STREET - MORNING
TWIN BOYS, RUDY AND JACOB CARGES (12), ride their bikes
through a suburban neighborhood.
Rudy, the more athletic of the two, rides at a breakneck
pace. Jacob rides slowly due to a HOCKEY MASK that he wears
over his face. It??s making it difficult for him to see. The
boys turn down a DIRT PATH and ride deep into some
THE HAUNTING OF HILL HOUSE
By
David Self
Revisions by
Michael Tolkin
Based on the Novel
by Shirley Jackson
11/10/98
Initial Shooting Script
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS.
THEY HAVE BEEN REMOVED FOR THIS SOFT COPY.
BEGIN MAIN TITLE SEQUENCE.
At the very edge of hearing, the tone of human VOICES.
Unintelligible, babbling, eerie. Then a loud FLAPPING SOUND.
It shifts fro