Larger Than Life Script
Thank you.
Thank you and welcome,
ladies and gentlemen...
...to the 34th Annual Convention...
...of the American Motion
Upholstery Association.
Thank you.
Wasnt lunch wonderful?
Perfect. As you know...
...this years not been
an easy one for our industry.
As were listening to our inspiring
keynote speaker today...
...hell be giving us a useful shot in the arm.
He is the aut
Jesus Of Montreal Script
You killed him.
No, you did.
But I was in Tchermachnia.
I struck him, but
youre the murderer.
You said, Man must
root out the idea of God
and accept mortality,
with no hope of resurrection.
Then will he resign
himself to death
and stop bemoaning
this short life.
His love will be selfless.
Did you think I was deaf?
Woe to those who commit suicide...
to those who destroy th
A VIDEO IMAGE FLICKERS TO LIFE. A ruggedly handsome man with dark, haunted eyes. Eyes that have seen hell.
NEVILLE
My name is Robert Neville. Today is October 17th,
the year 2002. I was born in 1960, on this very day,
so that makes today my birthday. (remembering)
Every year for my birthday, my wife Ellen would throw
me a party. A kids party. Cake, ice cream, funny hats,
"Pin the Tail on the Donk
SEVEN
by Andrew Kevin Walker
8/8/94
1 INT. OLD HOUSE -- DAY 1
Sunlight comes through the soot on the windows, more brown than
bright. SOMERSET, 45, stands in one corner of this small,
second-story room. He looks over the ceiling, looks down at the
worn wooden floors, looks at the peeling wallpaper.
He walks to the center of the room, continues his study, taking
his time. He halts, turns to one wa
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
CHILI PALMER, late thirties, sits in a booth with TOMMY CARLO, a low level mob type. Chili smokes a cigarette, stares out the window at the people on the street.
TOMMY
Guy on the radio said its gonna get down to thirty-four.
Chili watches a woman on the sidewalk pause to tighten the scarf around her neck. She looks in the window, sees Chili looking out.
TOMMY
Thirty-four - thats freezing, for Chr
NOTTING HILL
Screenplay by Richard Curtis
Title
EXT. VARIOUS DAYS
She plays through the credits.
Exquisite footage of Anna Scott -- the great movie star of our
time -- an ideal -- the perfect star and woman -- her life full of
glamour and sophistication and mystery.
EXT. STREET - DAY
Mix through to William, 35, relaxed, pleasant, informal. We
follow him as he walks down Portobello Road, carryi
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to...
DISSOLVE TO:
EXT. CITY RUINS - NIGHT
Same spot as the last shot, bu
NOTE: Aerial dialogue in caps is UHF radio; plane to plane, plane to carrier. Aerial dialogue in small case is ICS; an inter-cockpit system; a live mike, heard by pilot and RIO only.
EXT. NIGHT
THE PACIFIC IS ANYTHING BUT WINDS HOWL. Rain drives horizontal. The sea surges up, nearly to the flight deck of the Aircraft Carrier USS Kitty Hawk. The carrier plunges, driving its bow into a wall of gre
rail
child. The farther they get from the fence, the heavier
he seems to get, until they are literally pulling him as
though he were anchored to something.
His outstretched fingers claw at the thin air and he
screams until the blood in his face is blue.
The soldiers are literally pulled back a step and they
begin to slip in the mud. They look at one another and
then over their shoulders as they h