WINDOW, we see into an ADJOINING ROOM within
which a HUMAN FIGURE hangs suspended in mid-air by a series
of cables designed to simulate flotation.
AT THE CONSOLE, Miriam uses a pen to hit specific areas of
the touch-sensitive screen, changing the complex CHEMICAL
SYMBOLS displayed there.
IN THE PROCEDURE ROOM, a series of pharmaceuticals are
injected into an intravenous tube feeding the sleeve/ar
directing the show, youll also be playing opposite her.
Most actresses would consider that an inducement.
Under the circumstances, I should think things might be a little strained.
Because we used to be man and wife? Oh, Cole, thats archaic.
- Were adults. Were civilized. - Oh, forgive me!
Id forgotten.
Just one thing. When Lilli gets here, start with a love song: "So in Love."
- Shes a pushover
directed
more at the Jews then.
The school year begins in one week...
...and all schools will implement
the new integration law.
Baltimore school district officials
do not anticipate any problems...
...implementing the new law.
Summer faded away.
The summer faded away and what?
The end of summer.
A composition
of what you did last summer.
Its hard to read.
Whats that word?
Jewish.
-Jewish, I th
Director Allen Dulles,
Deputies Charles Cabell and Richard Bissell, the
top leadership of the Agency.
SECRET WAR IMAGERY
Cuban rallies, footage of training camps, espionage activities, boats,
cases of weapons, Robert Kennedy ... John Roselli, Sam Giancana, Santos
Trafficante, Richard Helms (the new CIA chief), Bill Harvey, Head of
ZR/RIFLE, Howard Hunt ...
VOICE 4
The CIA, however, continues
Wind, you are a thousand eyes - but never seen.
A thousand caresses - but never touched. A
thousand voices - but never a word. Always with me,
never .......
DEBORAH
(fearful)
Mum... Oh Mum, God will surely strike us -
SUZANNE
Wind - I love you with that which is endless
within me. Bring me your eyes - your touch -
your voice...
A WIND gathers force, The grass sways. Leaves twirl.
SUZANNE
Send me
looms in a LOW ANGLE, part of the clutter behind the gymnasium.
A CAT enters FRAME.
CAMERA DOLLIES FORWARD, prowling with him through the landscape of trash receptacles and shadows.
CLOSE ON CAT
Which freezes, alert, sensing something just beyond human perception.
A sourceless wind rises, and with it a keening WHINE.
Papers blow across the pavement.
The cat YOWLS and hides under the dumpster.
direction and turn the tank around. Through their binoculars we see a THREE-HUNDRED FOOT BEAVIS coming from the horizon. The giant Beavis is even more destructive than Butt-Kong (maybe he could be breathing fire). Beavis starts trying to pick up on Butt-Heads woman. Butt-Head puts the woman down and he and Beavis begin to go at it, leveling the city with one of their stupid juvenile smack-fights.
WINDOWLESS UNDERGROUND WORLD OF
ETERNAL NIGHT SOMETIME IN THE FUTURE...AN ALMOST COLORLESS
"REALITY" OF BLURRED EDGES AND ECHOEY SOUNDS, MUCH MORE
"DREAMLIKE" THAN HIS DREAM.
Flashlights glare. In the half-light, COLE sees spooky figures,
GUARDS, moving among the locked bunk/cages.
COLE turns and whispers to the occupant of the next cage, JOSE...
COLE
Ssssst! Jose, whats going on?
JOSEs face is a
wind machine - straightens up -
reacts - Dorothy comes forward - CAMERA TRUCKS forward as Hickory goes to
her - he speaks to her - turns motor of wind machine on - they watch it -
oil spurts out into Hickorys face - he reacts - Dorothy exit left -
HICKORY
Oh! Oh, it feels like my joints are rusted.
Listen, Dorothy, dont let Hunk kid you
about Miss Gulch. Shes just a poor
sour-faced old maid that
wind.
LUCILLA
Where are we now, Commodus? Can you
see the camp? My Gods! The air is
turning into ice!
COMMODUS
Were nearly there, Lucilla.
LUCILLA
Thats what you told me two days
ago!
COMMODUS
Will you please get back in your
wagon? And stay there?
LUCILLA
Im tired of being stuck in that
wagon.
Embarrassed by Commodus childish spat with is sister,
Tribuus gestures to the 2nd Praetorian.
TRIBUUS
S