"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc
Mr. Blandings Builds His Dream House Script
Manhattan.
New York.
U.S.A.
In any discussion of
contemporary America...
... and how its people live, we must
inevitably start with Manhattan.
New York City, U.S.A.
Manhattan, glistening modern giant
of concrete and steel...
... reaching to the heavens
and cradling in its arms millions.
Seven millions.
Happy beneficiaries of the advantages and
comforts
Broadcast News
by
James L. Brooks.
FADE IN
EXT. CITY STREET - DAY
A restaurant supply truck is curbside, near a small
restaurant. GERALD GRUNICK, forty-one, is closing the back
door of his truck, feeling good about the world, a common
state for him. He moves towards the cab of the truck and gets
inside as we SUPER:
KANSAS CITY, MO. - 1963
INT. TRUCK - DAY
As he sits down beaming over his recen
Three of these creatures are men: the fourth is a woman. She is tall and has a magnificent body which is shown to its best advantage in a Krypton outfit that reveals more than it conceals: high boots, a clinging body suit, and all shiny black. Long raven hair frames a strikingly beautiful face; her eyes are almost fiery in their grace. A woman whose beauty makes strong men weak, she is consumed b
The Living Daylights Script
Gentlemen,
this may only be an exercise so far as
the Ministry of Defence is concerned,
but for me it is a matter of pride that the
-Section has been chosen for this test.
Your objective is to penetrate
the radar installations of Gibraltar.
The SAS have been placed
on full alert to intercept you,
but I know you wont let me down.
Good luck, men.
Oh, blast!
Damn!
Thats i
The credits have that depressing, shitty, this is going to be one of those lousy black and white movies from the 1950s look. This is going to be one of those cheap teen sci-fi movies about a creature
MUSIC. When the female stars name appears, Borodins theme, which will later become adapted into "Strangers In Paradise," plays. Then we return to the stormy part, which subsides as:
THE CREDITS END
T
WITNESS
??
Screenplay by
EARL W. WALLACE
WILLIAM KELLEY
??
from a
story by
WILLIAM KELLEY
??
REVISED DRAFT
APRIL 23, 1984
??
??
1 EXT. LANCASTER COUNTY, PA. COUNTRYSIDE - DAY
(TITLE SEQUENCE)
The faces of several young children are presented in
CLOSEUP, as they walk TOWARD US across a ploughed
field. On the SOUND TRACK, the haunting SOUNDS OF A
GREGORIAN FUNERAL CHANT. The CAMERA PANS UP to the
f
노인을 위한 나라는 없다
목차
소설
‘노인을 위한 나라는 없다’ 의 모티브
영화
캐릭터 분석
결론 - 우연을 극복하려는 인간의 노력과 그 허무한 결말
‘노인을 위한 나라는 없다’의 의미는?
소설
작가 : 코맥 매카시 (Cormac McCarthy)
원제 : No Country For Old Man
작가 - 코맥 매카시 (Cormac McCarthy)
1933년 7월 2
1. Introduction
In recent years, as a social networking service(SNS)such as Twitterand Facebook emerges one ofthe fast growing areas, communication has become the conversation issue among companies. A social networking service is a platform to build social networks or social relations among people who, for example, share interests, activities, backgrounds, or real-life connections (Wikipedia).
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we