The movie begins with scenes of people screaming in horror and running down the streets of a big city. The ground shakes from what seems like giant footsteps. There are pieces of building debris falling everywhere, people getting crushed, power lines coming down, etc. - complete pandemonium. It all looks very much like a Japanese animated King-Kong or Godzilla movie. We hear the footsteps getting
TWELVE MONKEYS
An original screenplay by
David Peoples
&
Janet Peoples
Inspired by
LA JETEE, a Chris Marker Film
Production Draft
June 27, 1994
FADE IN:
INT. CONCOURSE/AIRPORT TERMINAL - BAY
CLOSE ON A FACE. A nine year old boy, YOUNG COLE, his eyes wide
with wonder. watching something intently. We HEAR the sounds of
the P.A. SYSTEM droning Flight Information mingled with the
sounds of urgent SHO
TRAIN WHEELS grinding against track, slowing. FOLDING TABLE LEGS scissoring open. The LEVER of a train door being pulled. NAMES on lists on clipboards held by clerks moving alongside the tracks.
CLERKS (V.O.)
몭 Rossen 몭 Lieberman 몭 Wachsberg 몭
BEWILDERED RURAL FACES coming down off the passenger train. FORMS being set out on the folding tables. HANDS straightening pens and pencils and ink
Jennifer Eight Script
- You can drive down there.
- Im already walking. Where is it?
On the infill.
A guy from LA just went down.
- Whats he doing here?
- He waited a while for you,
then decided to go and take a look
himself. Hope thats OK.
Damn right its OK.
With a bit of luck Im going home.
- What have we got?
- A derelict.
They cut his throat.
- Who are you?
- Trimble.
Where do you fit in?
His
NOTTING HILL
Screenplay by Richard Curtis
Title
EXT. VARIOUS DAYS
She plays through the credits.
Exquisite footage of Anna Scott -- the great movie star of our
time -- an ideal -- the perfect star and woman -- her life full of
glamour and sophistication and mystery.
EXT. STREET - DAY
Mix through to William, 35, relaxed, pleasant, informal. We
follow him as he walks down Portobello Road, carryi
RELIC
a screenplay by Amy Holden Jones
based on the book by Douglas Preston and Lincoln Child
March 16, 1995
TITLE CARD... BELEM BRAZIL - JULY...
EXT. BELEM STREETS - NIGHT
A taxi careens down narrow roadways at breakneck speeds.
INT. TAXI - NIGHT
In the back seat is WHITTLESLEY. Early 40s, the wreck of a once
handsome man. Unshaven. Sweat stained. Rail thin. Scratches on his
arms, a fresh scar
of the Sahara Desert.
I dont know. In school they
call this the Dark Continent.
This is twice as bright as Indianapolis.
You just wait till we get to Marrakech.
- Marrakech? Sounds like a drink.
- Mmm. It sure does.
Wait a minute. Hold on there.
Whats the matter?
Well, I sure want to thank you.
Without your help,
anything might have happened here.
My pleasure, monsieur.
There are moments in life
of you
Maybe today youre singing songs
with someone new
On days like these...
On days like these...
Questi giorni,
quando viene il bel sole
On days...
(tyres screech)
(door clangs)
- Cheerio, lads!
- Quiet, Croker! Youre not out yet.
- Sorry, sir.
- Good luck, Charles.
Remember me to the old woman!
- I will, Harry, I will.
- Say hello to the big world.
Bye-bye.
Goodbye, Mr Bridger.
- He said, "Go
NOTE: Aerial dialogue in caps is UHF radio; plane to plane, plane to carrier. Aerial dialogue in small case is ICS; an inter-cockpit system; a live mike, heard by pilot and RIO only.
EXT. NIGHT
THE PACIFIC IS ANYTHING BUT WINDS HOWL. Rain drives horizontal. The sea surges up, nearly to the flight deck of the Aircraft Carrier USS Kitty Hawk. The carrier plunges, driving its bow into a wall of gre
As presentation credits begin, we hear Johnny Cashs "Home of the Blues." Then we see Allisons name, under it Alexs, under that Roberts, under that Quentins, then under that the title logo for Four Rooms, followed by "Starring Tim Roth as the Bellboy." Then "The Guests" listed in alphabetical order of all the actors playing guests. After the actors names, we...
FADE UP ON A WALL
The camera pans