THE PIANO LESSON
Screenplay for a film by
JANE CAMPION
Producer
JAN CHAPMAN
Script editor
BILLY MACKINNON
Maori dialogue and translator
SELWYN MURU
(c) copyright:
Jan Chapman Productions Pty Ltd
2 Fairlight Street Leichhart 2040
NSW Australia
4th draft 1991
Developed with the assistance of
The Australian Film Commission
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Sc 1 Sc 1
AD
Ladykillers Script
The earth
Is in a blaze
The world
Is in a maze
The way
Of life today
Is strange and odd
What happened
Across the sea
May come
To you and me
Whoa. come
Let us go back
To God
Go back
- To God
- Oh. come on
Lets go back to God
- Let us go back
- Lets go back to God
- Come on
- Lets go back to God
- Let us go back
- Lets go back to God
- I know the way
- Lets go back to God
- Witho
SNOW FALLING ON CEDARS
Screenplay by Ron Bass and Scott Hicks
Based on the novel by David Guterson
May 4, 1998
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. THE SUSAN MARIE, SHIP CHANNEL BANK - NIGHT
Fog. Penetrated only by sound. The LAPPING of sea at a
drifting hull. Tendrils of mist part, revealing...
...a f
Three of these creatures are men: the fourth is a woman. She is tall and has a magnificent body which is shown to its best advantage in a Krypton outfit that reveals more than it conceals: high boots, a clinging body suit, and all shiny black. Long raven hair frames a strikingly beautiful face; her eyes are almost fiery in their grace. A woman whose beauty makes strong men weak, she is consumed b
Grainy but unmistakably a man and woman making love. Photograph shakes. SOUND of a man MOANING in anguish. The photograph is dropped, REVEALING ANOTHER, MORE compromising one. Then another, and another. More moans.
CURLYS VOICE
(crying out)
Oh, no.
INT. GITTES OFFICE
CURLY drops the photos on Gittes desk. Curly towers over GITTES and sweats heavily through his workmans clothes, his breathing prog
A coffee shop somewhere in New Mexico. MICKEY KNOX, his back turned to us, is sitting at the counter finishing his meal. We hear the PING... BANG... of a pinball machine being played OFF SCREEN.
MABEL, a waitress, comes over and fills Mickeys coffee cup.
MICKEY
What kind of pies do you have?
MABEL
Apple, pecan, cherry, and key lime.
MICKEY
Which do you recommend?
MABEL
The key lime is great, but
The mule and the boy finally reach a camp. A few tents dwarfed by a huge temple door jutting out of the sand. The camp is deserted except for some kids by the temple entrance holding large mirrors, reflecting light into the temple.
Omar leaves his mule in the shade, seizes two goatskins and slips inside the temple.
3 INT. TEMPLE - DAY
Omar makes his way uneasily down a pillared corridor that open
DARK CITY
by
Alex Proyas
& Lem Dobbs
Revised draft May 9, 1994
INT. OPENING MONTAGE
OVER BLACK a low rumble increases in volume.
FADE UP:
A GLOVED HAND wraps around a bulky scissor-switch, thrusts
DOWN.
SNAP! - Electricity arcs through darkness.
OS SOUND of MACHINERY turning on.
TITLES OVER
MONTAGE OF CLOCKS - VARIOUS. The clocks are frozen, then second
hands turn - TICKING gets louder...
EXT. CI
Little Monsters
Screenplay by Ted Elliot
Terry Rossio
Produced by John Davis
Andrew Licht
Jeffrey A. Mueller
Directed by Richard Alan Greenberg
Cast List:
Fred Savage Brian
Howie Mandel Maurice
Daniel Stern Glen Stevenson
Margaret Whitton Holly Stevenson
Rick Ducommun Snik
Frank Whaley Boy
Ben Savage Eric
William Murray Weiss Todd
FADE IN:
ON AN OLD ALARM CLOCK
TICKING, the bells gone, the littl
MR. BEAN
By
Richard Curtis
And
Robin Driscoll
INT. NATIONAL GALLERY. BOARDROOM - DAY
A very grand room, with lots of wood and some very famous portraits round the walls.
A group of grave gentlemen and gentlewomen. They are the trustees of the National Gallery. LORD WALTON, a very grand man, sits at the table head. To his right sits his assistant, GARETH. All are deep in thought. LORD WALTON fidge