PITCH BLACK
Screenplay
by
David Twohy
Based on material by Ken and Jim Wheat
Revised First Draft
3/3/98
Though mentioned often in the script, the creatures in PITCH BLACK are
seldom seen at length; rather, they are glimpsed, they are heard, they are
felt. They are, really, the embodiment of your nocturnal fears: A howling
coyote that jars you awake; the painting on the wall that comes to life
Starship Troopers
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Screenplay by Edward Neumeier
Based on the novel by Robert Heinlein
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1 FROM THE FEDERAL NET -- NOTICE -- JOIN UP NOW !
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Proud YOUNG PEOPLE in uniform, the bloom of human evolution.
YOUNG PEOPLE
Im doing my part... Me, too...
Are you ?
The mobile infantery logo: LIGHTNING BOLTS ON A BLACK SHIELD.
OFFICIA
DR. BURTON, the Chief Psychiatrist moves down the old hallway, face tense. He steps through a doorway into...
INT. MAXIMUM SECURITY - NIGHT
Security cells. Criminal maniacs sealed behind protective casings.
A GUARD stands before a heavy door.
GUARD
Hell of a night, huh Doc?
BURTON
Hells in here.
Hydraulics HISS. The cell door unseals.
INT. SECURE ISOLATION CELL
Silence. Gradually the sound of distant traffic becomes audible. A LOW ANGLE bounded on one side by a chain-link fence and on the other by the one-story public school buildings. Spray-can hieroglyphics and distant streetlight shadows. This is a Los Angeles public school in a blue collar neighborhood.
ANGLE BETWEEN SCHOOL BUILDINGS
Where a trash dumpster looms in a LOW ANGLE, part of the clutter b
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to...
DISSOLVE TO:
EXT. CITY RUINS - NIGHT
Same spot as the last shot, bu
Contact
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FADE IN:
INT. ARROWAY HOUSE - EVENING
We open on the upstairs of a two-story house, where we see a young girl
talking into a radio transmitter.
YOUNG ELLIE
CQ, this is W9GFO. CQ, this is W9GFO here, come back. CQ, this is
W9GFO here, come back. CQ, CQ, this is W9GFO, is anybody out
there? (looks to her father) It not getting anything.
TED ARROWAY
Small moves Ellie, small moves.
YOUNG E
글로벌경쟁과 기술발전의 방향
I. 글로벌 경쟁인자로서 기술
자본, 자원, 토지, 노동은 이제 생산이나 경제발전의 유일한 요소가 되지 못한다. 보다 중요하고 결정적 요소는 앞의 것들을 지배하는 기술이다. 국부는 이제 식민이나 불공정 무역에 있지 않고 그 국가의 기술력에 달려있다.
즉 기술은
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we
Escape From L.A.
Screenplay by John Carpenter
Debra Hill
Kurt Russell
Produced by Debra Hill
Kurt Russell
Directed by John Carpenter
Cast List:
Kurt Russell Snake Plissken
Stacy Keach Malloy
Steve Buscemi Map to the Stars Eddie
Peter Fonda Pipeline
George Corraface Cuervo Jones
Valeria Golino Taslima
Pam Grier Hershe
Michael Forbes Brazen
Cliff Robertson President
A.J. Langer Utopia
Bruce Campbe
G-Force Script
Hey, slow down!
[thunder crashes]
Whoa! That is not cool!
Thank you for coming tonight, Darwin.
This room is secure,
so we can speak freely.
[Darwin] Why the secrecy?
Because the Feds are coming
tomorrow... to shut us down.
Shut us down?
Without even giving us a chance?
[man] Yes.
And theres only one way
we can save this department,
and thats prove ourselves,
in the field.
[whirrin