Metropolis Script
More than a quarter of the film
must be regarded as irretrievable lost.
Few other films have been so
systematically changed, mutilated,
corrupted as this one. Shots and titles
have been omitted and changed
However, of no other such mistreated film
do we know so well
what the film originally looked like.
Fritz Lang and Thea von Harbou,
different-sex Siamese twins.
Just like their
Traffic
by
Stephen Gaghan
EXT. COLUMBUS, OHIO - DAY
The state capital of Ohio. Its an impressive building for
a city this size.
SUPERTITLE: COLUMBUS, OHIO - STATE CAPITAL
INT. OHIO STATE SUPREME COURT - DAY
In chambers striving for august, JUSTICES listen to a lawyer
MR. RODMAN, argue his case before the highest court in Ohio.
Mr. Rodman enjoys the sound of his own voice.
MR. RODMAN
This informan
The Man hands his coat to coat check woman and thanks her. When he turns we get our first view of DR. RICHARD KIMBLE, a tall, athletic man, with a trim beard.
He moves from the outer lobby into a fabulously decorated ballroom where a fashion show is taking place as a medical fundraiser. Doctors and their spouses, hospital brass and sponsers mingle. Women sit near the runway watching the models. M
A VIDEO IMAGE FLICKERS TO LIFE. A ruggedly handsome man with dark, haunted eyes. Eyes that have seen hell.
NEVILLE
My name is Robert Neville. Today is October 17th,
the year 2002. I was born in 1960, on this very day,
so that makes today my birthday. (remembering)
Every year for my birthday, my wife Ellen would throw
me a party. A kids party. Cake, ice cream, funny hats,
"Pin the Tail on the Donk
SEVEN
by Andrew Kevin Walker
8/8/94
1 INT. OLD HOUSE -- DAY 1
Sunlight comes through the soot on the windows, more brown than
bright. SOMERSET, 45, stands in one corner of this small,
second-story room. He looks over the ceiling, looks down at the
worn wooden floors, looks at the peeling wallpaper.
He walks to the center of the room, continues his study, taking
his time. He halts, turns to one wa
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to...
DISSOLVE TO:
EXT. CITY RUINS - NIGHT
Same spot as the last shot, bu
The lonely sound of a buoy bell in the distance. Water slapping against a smooth, flat surface in rhythm. The creaking of wood.
Off in the very far distance, one can make out the sound of sirens.
SUDDENLY, a single match ignites and invades the darkness. It quivers for a moment. A dimly lit hand brings the rest of the pack to the match. A plume of yellow-white flame flares and illuminates the bat
SNOW FALLING ON CEDARS
Screenplay by Ron Bass and Scott Hicks
Based on the novel by David Guterson
May 4, 1998
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. THE SUSAN MARIE, SHIP CHANNEL BANK - NIGHT
Fog. Penetrated only by sound. The LAPPING of sea at a
drifting hull. Tendrils of mist part, revealing...
...a f
주연결 장치인 lingual bar는 상부가 치은변연에서 최소한 4m 이상 떨어져야 하고
6gauge half pear form으로 형성하며 두께가 얇은 부분이 상부로 향해야 합니다.
하연은 혀의 움직임에 장애가 되지않는 범위에서 주변 구강조직에 자극을 가하지 않도록 위치해야 합니다. 조직과의 직접적인 접촉을 막고 연마시
DARK CITY
by
Alex Proyas
& Lem Dobbs
Revised draft May 9, 1994
INT. OPENING MONTAGE
OVER BLACK a low rumble increases in volume.
FADE UP:
A GLOVED HAND wraps around a bulky scissor-switch, thrusts
DOWN.
SNAP! - Electricity arcs through darkness.
OS SOUND of MACHINERY turning on.
TITLES OVER
MONTAGE OF CLOCKS - VARIOUS. The clocks are frozen, then second
hands turn - TICKING gets louder...
EXT. CI