『A & P』
-John Updike
☆ Quiz ☆
1. 마지막 부분에서 Sammy와 Lengel의 말다툼중 계산대로 향하던 부부를 묘사하는 말은?
2. Sammy 가 Lengel을 비난 하는 말은?
1) Stupid
2) bitch
3) fiddle-de-do
☆목차 및 구성☆
1.작가 분석 (전소희)
2. 줄거리
& 시대적 상황 (이고운)
3. 인물 분석 (이강우)
4. 내용 분석 (김재식,강봉신)
☆
On a distant, rainy hill, the old Frankenstein castle, as we knew and loved it, is illuminated by ANOTHER BOLT OF LIGHTNING.
MUSIC: AN EERIE TRANSYLVANIAN LULLABY begins to PLAY in the background.
ANOTHER ANGLE
As we MOVE SLOWLY CLOSER to the castle. It is completely dark, except for one room - a study in the corner of the castle - which is only lit by candles.
Now we are just outside a rain-spla
Lucky Number Slevin Script
Theres number 5.
Hes moving through between horses.
Number 6 is under a very hard...
Number 4 breaks into the inside...
... hes shooting on through.
Number 1 on the inside
pokes a nose in front...
Hes clean.
So...
Why are you here? Hmm?
There was a time.
4:35.
You misunderstood.
I wasnt asking for the time.
I was just saying there was a time.
- There was a time?
- Mm-hm
THE GREEN MILE
??
Screenplay by
Frank Darabont
??
from the novel by
Stephen King
??
??
??
We each owe a death, there are no exceptions...
??
??
A SONG BEGINS, distant as a faded memory on an old Victrola:
??
Once I built a railroad, made it run... Made it race against
time...Once I built a railroad, now its done...Brother, can
you spare a dime...
??
Opening credit sequence
??
plays against footag
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
ARCTIC BLUE
by Ross LaManna
FADE IN:
1 EXT. BOREAL FOREST - ALASKA - (AERIAL SHOT) - DAY
??
??
Flying. Not at the intangible height of a jet, but at
spitting distance from the treetops. Were in central
Alaska, the Big Lonely, just north of the Arctic Circle.
??
??
A thick forest follows the contours of mountain foothills
like a deep-pile carpet. Up at treeline the forest thins to
tundra, a grassy
Its magnified and deeply revealed. Flecks of green and yellow in a field of milky blue. Icy filaments surround the undulating center.
The eye is brown in a tiny screen. On the metallic surface below, the words VOIGHT-KAMPFF are finely etched. Theres a touch-light panel across the top and on the side of the screen, a dial that registers fluctuations of the iris.
The instrument is no bigger than a
Lady: Mummys going to the beauty parlour darling. But Im leaving you with your favorite friend Roger. Hes going to take very very good care of you. Because if he doesnt, hes going back to the science lab!
Roger: Plplpllllease! Dont worry. What ever you say! Yes maam. Aye aye sir. Oke dokey. Why, Ill take care of him like he was my own brother. Or my own sister. Ow! Or my brothers sister. Or my se
Mother Night Script
MOTHER NIGHT
"Police"
"Haifa, Israel 1961"
Do you prefer German or English?
English.
You are to write down your memoirs
for the Haifa Institute...
for the documentation
of war criminals.
You have three weeks to complete
your memoirs before your trial begins.
Do you have any questions?
No. This is great.
Thanks for everything.
"Jews, Negroes...
Mongrel"
You are the only man I k
First, a sky over chimney pots and church towers, with masses of thundercloud and a black cloud moving toward the sun.
Cut to:
Piccadilly Circus, London. Flower sellers (women in shawls with baskets) seated round the base of the Eros monument. Among them Liza Doolittle, the only young one. The rest are elderly or middle aged. All, including Liza, are too poorly clad and dirty to be attractive. L