license plate: MY PRSHE) and walks in. Peter walks in too.]
Cut to inside. Peter pauses at the door and slowly reaches out to touch
the metal handle. It gives him a shock and he enters.
Cut to the cubicles. Peter goes into his. He picks up papers, turns on
the computer and sits down.
NINA
Corporate Counsels Payroll, Nina speaking. Just a moment.
(repeats that over and over)
Bill comes up to Pet
Lovely And Amazing Script
(music plays)
Dont you think I have
too much make-up on?
Photographer:
No, you look great.
could you
open up your jacket?
Just, you know,
pull it open.
Thats it.
Put your arm back
where it was.
Give us
a nice look.
Does this
seem strange to you?
No, its high fashion.
Its sophisticated.
Its totally hot.
But my dress-
I feel sort of...
I thought you said
you liked this des
Wes Cravens
A NIGHTMARE ON ELM STREET
1A. INT. (MONTAGE). 1A.
NIGHTMARE MUSIC THEME begins as we FADE UP on a SERIES OF SHOTS,
all CLOSE and teasing.
-- A mans FEET, in shabby work shoes, stalking
through a junk bin in a dark, fire-lit, ash-
dusted place. A huge BOILER ROOM is what it
is, although we only glimpse it piecemeal.
Then we SEE a MANS HAND, dirty and nail-bitten,
reach INTO FRAME and p
Friday the 13th, Part 3
FADE IN:
??
TITLE AND CREDITS
??
A piercing high note is sustained on the soundtrack as the
main title, "CRYSTAL JAPAN" speeds straight at the audience
in 3-D and seems to jump right out at them.
??
The opening credits follow. Ominous theme music fills the
soundtrack, growing darker and more dissonant.
??
The theme music slowly dissolves into the sound of a radio
news broa
music were the food of
love, play on. Im going out of my mind.
Good morning, Mr. Parrish.
- What do you think of all this, Helen?
- Its gonna be beautiful.
And Allison says
the president may come.
- The presidents got better things to do than come to my birthday party.
- Like what?
- Daddy? Do you have a minute?
- Good morning, Allison.
Not much more.
Big day in the big city.
- Whats on your mind
music,
he hates being disturbed.
Im telling you the truth!
I hope so. Because hes got a talent
for sniffing out a lie...
Its scary,
its almost like a sixth sense.
Now, are you gonna
change your tune or
do I gotta bust into his?
Im telling you the truth.
All right...
Stan,
Stan,
Im, Im sorry, you see,
he says he didnt cut the dope.
Oh.
Of course, he didnt.
Just do me a favor.
Find out who did. For
music
... Pins the gas ... The chase is on ...
Memphis maneuvers the Mustang with a dazzling aplomb... Memphis
gutterballing the car, skating the shoulder, the cops in heavy
pursuit ...
And now hes picked up another CRUISER... He passes Atley Jackson,
heading in the opposite direction... Atley has picked-up a pair of
cruisers himself ...
Memphis on a straightaway now, speeds up, feels the boost.
Monkey Business Script
[Fast-paced lively instrumental music]
[Fast-paced lively instrumental music continues]
- What is it? - Sorry to have to report...
there are four stowaways in the forward hatch.
Stowaways? How do you know there are four of them?
They were singing Sweet Adeline.
Get them out of there, you hear?
But we cant find them.
And besides, theyve been writing insulting notes.
So, Im a
like
these men -- buried in the shadows and as frozen and worn
as their leader -- have come to the very edge of the world
to be swallowed by this wilderness.
NUMIDIAN ARCHERS, tall Africans, out of place in this
freezing land, stand behind their leader -- JUBA -- who
has the whip-like body of a dancer. Each carries his
recurve bow as if it were a delicate musical instrument.
Quivers of brigh
music is
Jazz. He has a saxophone. To my ear Jazz
is just noise, just an insolent noise.
EXT. CENTRAL PARK WEST. EARLY EVENING.
Ripley shakes hands with Herbert Greenleaf as he gets into
his Rolls Royce. They are making an appointment. Ripley
crosses the street to Fran, pecks her cheek. She hands him
his share of their fee.
RIPLEY
Gotta run. Im so late.
(he hands Frans boyfriend the
jacket hes be