TRON
Based on the screenplay by
Steven Lisberger and Bonnie MacBird
??
Fourth Draft Screenplay by
Charlie Haas
April 6, 1981
??
BLACKNESS
1 THE ELECTRONIC WORLD 1
On one side of the screen, computer programming language is being
printed, and we HEAR the sound of an electronic keyboard. In the
center of the screen, glowing lines inscribe a rough computer
simulation of a figure, in response to the
Madagascar Script
Surprise!
Alex! Do not interrupt me
when Im daydreaming!
When the zebras in the
zone, leave him alone.
Come on Marty, just wanted
to wish you a happy birthday!
Hey man, thanks.
I got something stuck in my
teeth. Its driving me crazy!
Can you help me out here? Please?
You came to the right place, my friend.
Doctor Marty D.D.S. is in the house!
Please hop on top of my sterilized
e
SOOZE? Yeah, so did you tell him that we couldnt afford twenty bucks a ticket and why didnt he put us on the comp list? No, no, theres always a comp list. Alright. Well, so then, just get your mothers car and maybe well all go do something. Yeah. I gotta get off. Okay. Bye.
CUT TO:
INT. PIZZA JOINT - DAY
BUFF is the one of the only people working. Pies are over cooking in the oven and Buff is try
A top-secret, experimental, offensive/defensive military installation hidden away in the countryside outside Philadelphia, Pennsylvania.
CLOSE on a beautiful, intricate, state of the art computer panel as it is lifted out of a large console. A huge, dimly lit display board, sporting a galaxy of small running lights, looms above.
The panels removal creates a large, vulnerable opening, inside of wh
PRETTY WOMAN
BY
JONATHAN LAWTON
STEPHEN METCALFE
EXT. A HOUSE IN THE HOLLYWOOD HILLS - NIGHT
The view of downtown Los Angeles from the enormous, ornate house
is extraordinary. A small outdoor dinner party is in progress.
A MAGICIAN is entertaining guests. Playing cards and coins
appear and disappear in his nimble hands.
INT. HOUSE STUDY - NIGHT
EDWARD HARRIS stands at the window, impassively loo
TRACKING DOWN the line of empty, open capsules. Frozen twilight. The final four capsules are sealed, lids in place.
ANGLE - INSIDE CAPSULE
NEWT, then RIPLEY. HICKS next, his head and chest bandaged. Then BISHOP in his caul of plastic. But the lid of Bishops capsule is misted with hothouse condensation.
CLOSER
A tear of fluid streaks the condensation.
An alarm SOUNDS.
A monitor begins to scroll da
COPYCAT
Third draft by
Frank Pierson
Participating writers:
Ann Biderman
Jay Presson Allen
INT. LECTURE HALL BERKELEY - DAY
The hall is full. On the stage, DR. HELEN HUDSON is
speaking. HELEN is a forensic psychologist. Behind her is
a projected diagram: PREDISPOSITION, DISSOCIATION, TRAUMA,
FANTASY, VIOLENT FANTASY, FACILITATORS, MURDER, and
TRAUMA-REINFORCEMENT which she can point to with a las
Blackness. Then a hint of green becomes EARTH. It lies across an expanse of space. Richly colored. Fertile.
A GIGANTIC ASTEROID cuts into frame, Burning into EARTHS ATMOSPHERE and striking down in the currant area of Guzumel, Mexico.
Voice : An impact equivalent to ten thousand nuclear weapons detonating simultaneously.
A HUGE DINOSAUR FOOT steps down hard and is VAPORIZED with a deafening ROAR.
PITCH BLACK
Screenplay
by
David Twohy
Based on material by Ken and Jim Wheat
Revised First Draft
3/3/98
Though mentioned often in the script, the creatures in PITCH BLACK are
seldom seen at length; rather, they are glimpsed, they are heard, they are
felt. They are, really, the embodiment of your nocturnal fears: A howling
coyote that jars you awake; the painting on the wall that comes to life
The Longest Yard Script
Hey, sexy.
I love that dress.
Of course you do, Lorenzo.
You made it.
- Hi, sweetie.
- Hey, guys.
- There you are.
- Lena.
- Youve done it again.
- Well, its all for you, Bradlee.
Gotta mingle.
Oh, the girls are by the pool.
Well, well, well, Lena. So wheres
this sexy boy toy of yours hiding?
I didnt know you were
a football fan, Patrick.
Ive never watched a game. Im just