It is 7:14 P.M., Monday, September 22, 1975, and we are watching the network news programs on CBS, NBC, ABC and UBS-TV, the network of our story. The AUDIO is OFF; and head shots of WALTER CRONKITE, JOHN CHANCELLOR, HOWARD K. SMITH and HARRY REASONER, and of course, the anchorman of our network, HOWARD BEALE, silently flit and flicker across the four television screens, interspersed with the news
SOMEONE TO WATCH OVER ME
??
by
Howard Franklin
Danilo Bach
David Seltzer
??
??
Revisions by Danilo Bach
FADE IN:
INT. MIKES HOUSE - QUEENS - EARLY EVENING
Winter. A celebration. Close friends, cop friends,
family all here to celebrate patrolman MIKE KEEGANS
promotion to detective, NYPD.
The party spills through the house -- front room, dining
room, kitchen, with a small fenced backyard visible be
THE THING
Screenplay by
Bill Lancaster
From the story "Who Goes There"
by Don A. Stuart
SECOND DRAFT
March 4, 1981
CAST
MACREADY 35. Helicopter pilot. Likes chess. Hates
the cold. The pay is good.
GARRY 46. The station manager. Stiff. Ex-army
officer. Wears a handgun.
CHILDS 33. Six-four. Two-fifty. Black. A
mechanic. Can be jolly. But dont mess.
BLAIR 50. Sensitive. Intelligent. Unassuming.
An a
On a second note, Id just like to add that the blocking written here is of my own observations, everything else is the work of MICHAEL CRICHTON and ANNE-MARIE MARTIN. There are also references to music from the soundtrack, i.e. (Music starts "Virtual Reality")So, without further ado, I give you TWISTER!!!!
"TWISTER"
{Screen fades in to an eerie fog, gray clouds swirling across. Haunting music. W
SERIAL MOM
by
John Waters
Second Draft: July 22, 1992
1. Film opens with prologue title: "This is a true
story. The screenplay is based on court testimony,
sworn declarations, and hundreds of interviews
conducted by the film-makers". Fade out.
Fade in to second prologue title: "Some of the
innocent characters names have been changed in the
interests of a larger truth". Fade out.
Fade in to final
Before Sunset Script
Do you consider the book to be
autobiographical?
Well, I mean,
is anything autobiographical?
We all see the world through
our own tiny keyhole, right?
I mean, I always think of
Thomas Wolfe, you know,
if you ever seen that little
one page note to reader
in the front of "Look Homeward, Angel",
you know what Im talking about?
Anyway, he says that we are
the sum of all the momen
A top-secret, experimental, offensive/defensive military installation hidden away in the countryside outside Philadelphia, Pennsylvania.
CLOSE on a beautiful, intricate, state of the art computer panel as it is lifted out of a large console. A huge, dimly lit display board, sporting a galaxy of small running lights, looms above.
The panels removal creates a large, vulnerable opening, inside of wh
PEARL HARBOR
by
Randall Wallace
EARLY DRAFT
Out of BLACK we hear the sound of an airplane roaring by.
EXT. POV OF AN AIRPLANE
Flying over American heartland. We see the earth through the
pilots perspective as sky and ground swap positions, the
plane swooping down and storming over the ground.
THE PLANE
is a biplane, racing over a field lush with young plants. It
releases a trail of crop spray, an
TRACKING DOWN the line of empty, open capsules. Frozen twilight. The final four capsules are sealed, lids in place.
ANGLE - INSIDE CAPSULE
NEWT, then RIPLEY. HICKS next, his head and chest bandaged. Then BISHOP in his caul of plastic. But the lid of Bishops capsule is misted with hothouse condensation.
CLOSER
A tear of fluid streaks the condensation.
An alarm SOUNDS.
A monitor begins to scroll da
Tomorrow Never Dies
Screenplay
by
Bruce Feirstein
(for educational purposes only)
FADE IN ON:
EXT. DESOLATE MOUNTAIN RANGE - HIGH ANGLE - DAWN
Super: THE KHYBER PASS, AFGHANISTAN
Were looking down at what used to be called "The End of the Known
World." A landscape that is both beautiful, and forbidding.
In the center of this vista, there is a deep ravine.
Pushing in on the ravine, there appears t